Monsters (cert. 12) will be released on DVD (£17.99) and Blu-ray (£19.99) by Vertigo Films : 11.04.11

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Aliens have always served as an easy metaphor for social issues in movies. In the paranoid paradise of 1950s America, those buying into the Norman Rockwell illustrated idyll of white picket fences and consumer convienience were bombarded with ‘red under the bed’ propaganda in the form of various insidious invasions by cosmic interlopers standing in for card carrying Communists. At around the same time that Ronald Reagan started reporting to the FBI about the left leaning activities of his movie contemporaries, one of the best examples of alien as enemy within was released , Invasion of the Body Snatchers.

It portrayed communism as a creeping virus that slowly infected freedom loving Americans until they became part of a hive mind without the ability for individual thought. The metaphor in the movie was so needle sharp and exact that it’s been ressurrected to make new points ever since, with the 70s, Donald Sutherland led remake retooling the film to attack the selfish, naval gazing, Me Generation.

A less subtle use of Aliens is as replacement target. In the lull between the Cold War and the War on Terror, Hollywood struggled for an enemy to point their CGI missles at. In the new climate, lombing cinematic bombs at the Russians wasn’t so popular anymore and endless war-orgy movies based in the Middle-East were still on the horizon, so when Independence Day came along, with it’s handy non-human enemies, the alien invader allowed the film producers to stage an all out war without offending any profitable markets…

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So, is there a metaphor in Monsters? personally, I see the creeping tentacles as us or rather the damage we’ve left in our wake. The films setting in a no man’s land decimated by the invaders, where the local population who can are fleeing while those too poor to move either bed down and wait out the worst or get shifted from pillar to post by the authorities could surely be read as an allegory for the displacement of vast populations caused by war and environmental disasters.

The road blocks and warning signs, abandoned vehicles and ravaged buildings all mirror the wartorn images we see on rolling news coverage everyday.

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Wake Wood is the latest offering from the recently resurrected HAMMER FILMS.

Imagine a subtle blend of Pet Semetary, the Stephen King penned tale of Indian burial grounds and zombie household pets and classic British pagan nightmare, The Wicker Man, set it in an English village setting steeped in nostalgia but hiding a bloodstained history of Old Magick that carries on into the modern age and you get the idea.

You can read more about the pagan influences in Wake Wood in last weeks blog, IN PRAISE OF THE PAGAN but then take a moment to consider the film’s place in the Hammer Films cannon. Since returning to production, the company has had a hand in the rather well executed remake of Let the Right One in and presented a high-gloss woman-in-peril picture in the form The Resident but, even though Let Me In is a vampire movie and Hammer made their name in the 50s on the back of bringing the prince of darkness Dracula to the screen in dripping Technicolor, the closest film to original spirit of the studio and thus the one that’s most of interest to retro-obsessed cult flick fiends is Wake wood.

Not that the film is an irony drenched homage to flickering candles, Carpathian castles and Kitsch-Gothic sets but Wakewood does share its idylic English country setting with many of the original films (lets face it, even when a 60s Hammer movie was set in Transyvania, the village nearest the castle still appeared to be somewhere in the West Country). The downbeat and realistic shooting style also places the film alongside the more psychological films the studio made in the early seventies such as Straight on Til Morning and Demons of the Minds.

READ THE FULL WAKE WOOD PRESS RELEASE HERE

CAST LINKS

TIMOTHY SPALL plays Arthur, the patriarch of Wake Wood, a man with his hand in all the occult goings on. Will his magic be a blessing or a curse for Patrick and Louise?

AIDEN GILLEN plays Patrick, the new vet. He and his wife, Louise, came to Wake Wood for a fresh start and instead lost a daughter... But for how long?

EVA BIRTHISTLE plays Louise, married to Patrick and thrown into a pit of mourning & despair by the untimely & tragic death of her child. Will the grief consume her?

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