Monsters (cert. 12) will be released on DVD (£17.99) and Blu-ray (£19.99) by Vertigo Films : 11.04.11

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Aliens have always served as an easy metaphor for social issues in movies. In the paranoid paradise of 1950s America, those buying into the Norman Rockwell illustrated idyll of white picket fences and consumer convienience were bombarded with ‘red under the bed’ propaganda in the form of various insidious invasions by cosmic interlopers standing in for card carrying Communists. At around the same time that Ronald Reagan started reporting to the FBI about the left leaning activities of his movie contemporaries, one of the best examples of alien as enemy within was released , Invasion of the Body Snatchers.

It portrayed communism as a creeping virus that slowly infected freedom loving Americans until they became part of a hive mind without the ability for individual thought. The metaphor in the movie was so needle sharp and exact that it’s been ressurrected to make new points ever since, with the 70s, Donald Sutherland led remake retooling the film to attack the selfish, naval gazing, Me Generation.

A less subtle use of Aliens is as replacement target. In the lull between the Cold War and the War on Terror, Hollywood struggled for an enemy to point their CGI missles at. In the new climate, lombing cinematic bombs at the Russians wasn’t so popular anymore and endless war-orgy movies based in the Middle-East were still on the horizon, so when Independence Day came along, with it’s handy non-human enemies, the alien invader allowed the film producers to stage an all out war without offending any profitable markets…

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So, is there a metaphor in Monsters? personally, I see the creeping tentacles as us or rather the damage we’ve left in our wake. The films setting in a no man’s land decimated by the invaders, where the local population who can are fleeing while those too poor to move either bed down and wait out the worst or get shifted from pillar to post by the authorities could surely be read as an allegory for the displacement of vast populations caused by war and environmental disasters.

The road blocks and warning signs, abandoned vehicles and ravaged buildings all mirror the wartorn images we see on rolling news coverage everyday.

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WAKE WOOD

“A LOT MORE THAN YOUR AVERAGE SCARE-FEST… HAMMER CONTINUE THEIR RETURN TO FORM.” (FOUR STARS) – BESTFORFILM.COM.

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A brand new horror film from the legendary and recently revitalized Hammer Films, Wake Wood superbly evokes the spirit and tone of the studio’s revered classics with a chilling supernatural tale that also combines the menacing paranoia of ‘The Wicker Man’ with the creeping dread of ‘Pet Sematary’.

Directed by David Keating (The Last Of The High Kings; KM64: Birth Of A Skatepark) from a script by producer Brendan McCarthy (Outcast; Breakfast On Pluto; The Mighty Celt; Omagh), Wake Wood stars BAFTA nominated actors Aidan Gillen (The Wire), Eva Birthistle (Middletown; Breakfast On Pluto; Ae Fond Kiss) and Timothy Spall (Harry Potter And The Deathly Hallows; The King’s Speech) in a contemporary story of the occult.

In an attempt to cope with the grief and despair of losing their only child Alice (Ella Connolly), mauled to death by a savage dog, veterinarian Patrick Daly (Gillen) and his pharmacist wife Louise (Birthistle) move from the city to the remote Irish village of Wake Wood. With Patrick taking over the local vet’s practice and Louise working in the village chemist store, the couple soon become friends with many of the local landowners, farmers and their families.

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Their acceptance as members of this small but close community leads them to the discovery of an ancient pagan ritual practised by the people of Wake Wood in order to help ease the sudden loss of a loved one. This tradition, secretly preserved for many centuries, enables the grief-stricken to bring a deceased person back from the dead for a period of three days within one year of their passing, allowing them to say a final farewell to the departed before they make their final journey to the spirit world. For Patrick and Louise, this represents a miraculous opportunity to see Alice one more time and their request for the villagers’ help in realising their wish is reluctantly granted. But the ritual is bound by strict rules and conditions, which, if broken, demand a terrible price be paid.

A “hair-raising” (Matt Glasby, Total Film) and “spellbindingly eerie and deliciously grotesque” (Robbie Collins, News of the World) shocker that manages to stir the emotions as much as it chills the spine, Wake Wood is a new and worthy addition to Hammer’s hallowed canon of classic horror films.

Vertigo Films will be releasing Wake Wood (cert. 18) at UK cinemas on 25th March 2011 and the DVD release (£15.99) will follow on 28th March 2011 courtesy of Momentum Pictures.

Special Features include:

  • Interview with cast and crew
  • Deleted scenes
  • Trailer
  • Teaser trailer.

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