“A RIVETING HORROR FILM.”

SLANT MAGAZINE.

Generally regarded as one of Italian horror maestro Dario Argento‘s finest films, the terrifyingTenebrae marked the director’s return to the “giallo” (mystery-thriller) genre in which he first made his name, after making two supernatural themed films, “Suspiria” (1977) and “Inferno” (1980). Banned on video in the UK until 1999, when it was released in a cut form, the film was finally passed uncut and uncensored in 2002. Now, this definitive version of Tenebrae comes to DVD and for the first time in the UK, Blu-ray, boasting a brand new HD restoration of the film and a host of extra features.

Shortly after American mystery-thriller novelist Peter Neal arrives in Rome to promote his new book (the “Tenebrae” of the title) an attractive young woman is murdered by a razor-wielding maniac who stuffs pages of Neal’s latest novel into the mouth of his victim before slashing her throat. So begins a bizarre series of horrific murders, the details of which strangely resemble the fictional murders in Neal’s book. Baffled by the killings, the local police believe the author may hold the key to solving the case and turn to him for help. Circumstances change, however, when Neal himself begins to receive death threats from the killer.

Speaking about Tenebrae, Argento said it was his intention to put on film a “gory rollercoaster… full of fast and furious murders.” There is no question about whether or not he succeeded. As well as being a superbly orchestrated and inventive suspense thriller, Tenebrae is a shockingly horrific orgy of graphic violence, set to a pounding score by Argento regulars Goblin (credited as Simonetti-Morante-Pignatelli) and beautifully shot by “Suspiria” cinematographer Lucio Tovoli making the film a perfect showcase for Argento’s inimitable trademark visual style.

Starring Anthony Franciosa (Death Wish II), John Saxon (From Dusk Till Dawn; Cannibal Apocalypse; Black Christmas; Enter The Dragon), Daria Nicolodi (Opera; Phenomena; Inferno; Deep Red) and the stunning Veronica Lario (the real-life estranged wife of multi-billionaire Italian prime minister Silvio Berlusconi), Tenebrae also features cameo appearances by cult directorsLamberto Bava (Macabre; Demons) and Michele Soavi (The Sect; The Church), both of whom also worked as assistant directors on the film.

Tenebrae (Cert. 18) will be released on Blu-ray (£21.99) and DVD (£15.99) by Arrow Video on27th June 2011.

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Special Features

  • Brand new HD restoration of the film
  • Introduction by Daria Nicolodi
  • Audio commentary with Argento experts, journalists and writers Kim Newman and Alan Jones; audio commentary with Argento expert Thomas Rostock
  • “Screaming Queen!” – Daria Nicolodi remembers “Tenebrae”
  • “The Unsane World of Tenebrae” – an interview with Dario Argento
  • “A Composition for Carnage” – Claudio Simonetti on “Tenebrae”
  • Goblin: Tenebrae and Phenomena Live from the Glasgow Arches
  • Exclusive collector’s booklet featuring brand new writing on “Tenebrae” by Alan Jones, author of “Profondo Argento”
  • Four sleeve art options with original and newly commissioned artwork
  • Double-sided fold-out poster
  • Original trailer
  • English and Italian mono audio options
  • Optional English subtitles.
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I WANT MORE CANNIBAL GIRLS!

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Like rock stars who take up Golf or turn their golden years into a West End musical, horror fiends eventually get assimilated into the mainstream. Vampires, once a potent symbol of sexual decadence, are now twinkly emo-boys with ‘issues’, Zombies are figures of fun as well as abject terror and Freddy’s shady background as a predator of children is forgotten each Halloween as parents stock up on rubber Kruger gloves in Poundland.

Cannibals however, always hit a blood flecked glass ceiling. While Zombies are still at one supernatural remove from us, the Cannibal cannot blame his urge to feast of human flesh on being a reanimated cadavar. Cannibals are us, stripped of all civilizing influences and reduced to the basest of animal behaviour.

For a lover of sleazy trash and grim exploitation like myself, this makes the classic cannibal flicks of the 70s and early 80s that rare thing, old B-movies that are hard to filter through a hipster haze of irony. Defending the cannibal requires you excise all those excuses about art and to desist from knowing winks. Being a Cannibal fan means stepping up and declaring a love for all the worst excesses of filmmaking, from the dubious morality of the Italian jungle epics to the Grindhouse sleaze of Cannibal Girls.

The thing I admire most about the  Cannibal movie then is this. The Cannibal movie above all other genre styles is the one that is most purely produced to induce shock and disgust. Ruggero Deodato made Cannibal Holocaust in order to extract as much cash from the morbidly curious as possible. That a film that seems to balance on a knife edge between trash and art was created is a lucky accident, because first and foremost the film is a cynical money maker and the mercenary nature of its production is what makes it all the more exciting.

While Cannibal Girls is lot easier to swallow that the likes of Holocaust and Ferox, it’s lust for human meat will always see it painted with a dubious reputation that I can only hope the new UK DVD will enhance because sometimes horror movies need have that edge to succeed.

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