THE EXORCIST William Friedkin 1973

[Susan Foreman]

Did You Know There's A Serial Killer In THE EXORCIST? – Blumhouse.com

[Rik]

The doctor from the hospital scene if I'm not mistaken

Edit: After reading the article, it was the assistant, so I wasn't far off

[Rik]

Fantastic news!

http://ew.com/tv/2017/05/12/the-exor...alflow_twitter

[Nosferatu@Cult Labs]

Originally Posted by Rik

Fantastic news!

The Exorcist saved! Fox gives surprise season 2 renewal

Excellent.

It’s the devil’s work!

Fox has renewed The Exorcist for a second season. In a surprise move, the Friday night horror series that was seemingly left for dead last winter will return for another round.

Typically, fall shows that finish out their short initial order without the network ordering any more episodes are almost always canceled (Exorcist was plotted as a 10-episode arc but still — it’s a long time for a broadcast show to sit on the shelf without any forward movement). But just a few days before Fox’s upfront presentation to advertisers, The Exorcist was resurrected. The network suggested some potential creative changes, promising “a new chapter of the iconic franchise.”

When you look at the ratings — and the ratings of Fox’s other bubble dramas — the decision makes a certain kind of sense. The Exorcist averaged 3.2 million viewers and a 1.2 rating among adults 18-49. Now, those are not good ratings. At all. But here are the adult demo ratings for some of Fox’s other hourlong shows this season: Rosewood (1.0 and now canceled), APB (1.2 and canceled), Sleepy Hollow (0.9 and now canceled), and Scream Queens (1.0 and… we’re waiting for news). So when you look at those numbers, and you look at Exorcist doing a 1.2 in a time slot that was the toughest one of all, plus the reviews weren’t half-bad, and suddenly you start to think, Well… maybe?

Which isn’t to say we saw this one coming when we originally wrote our Deathwatch predictions last month; we thought Exorcist was likely going straight to cancellation hell. But in recent days, the buzz mill turned positive for the show, and we updated our prediction to a more hopeful take. “Works in mysterious ways,” etc.

[Nosferatu@Cult Labs]

This sounds fascinating.

Exorcist Doc ‘The Devil And Father Amorth’ From William Friedkin Acquired By LD Ent. | Deadline

Exorcist Doc ‘The Devil And Father Amorth’ From William Friedkin Acquired By LD Entertainment

William “Billy” Friedkin’s documentary about exorcism, The Devil and Father Amorth, which has him witnessing first-hand the work of the Vatican’s in-house exorcist, was acquired by LD Entertainment who will work with ICM Partners to enter into partnerships to distribute the film worldwide.

Friedkin, of course, directed the screen adaptation of William Peter Blatty’s The Exorcist in 1973 which had moviegoers lining up around the block to see it. The documentary looks at how the exorcism in the movie compares to a real exorcism. The film’s title comes from the filmmaker’s ability to attend Father Gabiele Amorth’s ninth exorcism — it took place with an Italian woman who had been experiencing behavioral changes and “fits” that could not be explained by psychiatry; they became worse during Christian holidays.

Known as the “Dean of exorcists,” Father Amorth performed thousands of these rituals to rid evil from the human body. On the Italian woman, Father Amorth and the demon inside the woman began conversing in Latin, a language that the woman did not know. The priest has since died (at the age of 91).

“This film really shook me to the core,” Liddell told Deadline. “It made me wonder if this is possible, demonic possessions.”

Added Friedkin in a statement: “I never stopped being fascinated by the nature of good and evil and the possibility of demonic possession. The opportunity for me to witness and film an actual exorcism came about more than four decades after I made The Exorcist completely by accident.” The filmmaker is in post on the documentary now.

LD and Friedkin previously worked together on the 2011 indie film Killer Joe which was based on the Pultizer Prize-winning play from Tracy Letts and starred Matthew McConaughey.

LD, whose Jackie garnered three Oscar noms this year, including for its star Natalie Portman, is currently on post on three films — Jacob’s Ladder (Michael Ealy), Fast Color (GuGu Mbatha-Raw) and Live Like Line (Helen Hunt, William Hurt).

The deal for the Friedkin documentary was negotiated by ICM Partners and attorney Eric Thompson on behalf of LD Entertainment with Friedkin’s ICM reps and lawyer Marty Singer of Lavely & Singer.

[Susan Foreman]

THE EXORCIST Lifesize Possessed Regan Movie Prop Doll

"Introducing the latest edition to The Scary Closet family.
Meet Possessed Regan from The Exorcist!

EXTREMELY LIMITED TO ONLY 10 Autographed in person on the back of the neck by The Exorcist herself Linda Blair.

This is the most extremely accurately made Regan life size custom high-end prop figure to date.
Their is an enormous amount of detail, time as well as expense that went into the creation of the Regan prop with all the screen matching distressing we did to her skin with bruising and veins and scars to bring you the worlds best Exorcist life size doll movie prop that even the original creator Dick Smith would approve of.

Do you really want to get rid of the guest that just won't leave??? Put this on the bed and you'll have no problem haha.

Pics shown are of the actual prop The Scary Closet has made and took to "The Hollywood Show" July 7th-9th Hollywood Show - Celebrity Autographs Signing Convention - Los Angeles Event- Chicago Event - Las Vegas Event where Linda Blair was a special guest and was a great sport and wanted to take these pics of her counteracting with the prop. She actually thought this was all taken off her original molds so that will give you an indication of how accurate this is.
Everything is 100% custom tailored to perfection from the green vomit on her mouth all the way down to her dirty painted toenails. You will be the most impressed over this one. We searched over a 100 body models to find hands and feet that screen matched Linda Blair in 1974, the job was by no means easy but we finally found a body model that was a match and again, even Linda Blair herself thought these body parts were from her original body molds.
We made the body light weight for easier transportation so the body core is foam and the head, full hands and full legs are resin and foam filled. Traditional acrylic and airbrushing was applied. She has custom glass eyes and the night gown was also custom made as well as professional wig work was done on her.

This will be the best prop you could display during Halloween season 2017 but please order soon to insure timely delivery as these are all custom built to perfection and take time to create and match precisely for total screen match and photo accuracy.

Payment plans are welcome but we can't start on her till we have at least a 50% deposit so please keep this in mind if you need her by a certain date.

Here at The Scary Closet we are all pet lovers and want to do our part so a portion of the proceeds will be donated to Linda Blair's Charity called:"Linda Blair Worldheart Faoundation" or LBWF
Please feel free to donate anything you could to help a worth while charity no matter how small or big the donation EVERYTHING helps give a voice to pets in need. Here's Linda Blair's website for direct donations : Welcome to The Linda Blair WorldHeart Foundation

We ship Worldwide but may ship in 2 pieces overseas. USA buyers will receive Regan Doll completely assembled in a large box sent UPS with tracking and signature confirmation."

[MuckyFunster]

Originally Posted by Susan Foreman

EXTREMELY LIMITED TO ONLY 10 Autographed in person on the back of the neck by The Exorcist herself Linda Blair.

Surely Max Von Sydow was "the exorcist himself".


Sent from my iPhone using Tapatalk

[Nosferatu@Cult Labs]

Originally Posted by MuckyFunster

Surely Max Von Sydow was "the exorcist himself".

Correct. The signee, in this case, was the exorcised.

[Susan Foreman]

The history of 'The Exorcist' at the BBFC



There is also an interesting feature about this on the Melon Farmers site

"William Friedkin's seminal horror classic The Exorcist, adapted from the novel by William Peter Blatty, was for many years unavailable on video in the United Kingdom. Chances are if you were to ask someone on the street in Britain about The Exorcist, they'd say it was banned for many years. Strictly speaking, that is not the case. A film that is officially banned will be noted by the British Board of Film Classification in their database with a Rejected entry, but running a search for The Exorcist on their website will yield no such result. What you will see is a formal classification for a cinema release in early 1974 and a rather incongruous gap between that entry and the very first officially-classified home video classification in 1999. Why this large gap? What happened to The Exorcist between its original theatrical release and a home video release some quarter of a century later?

For its original theatrical release in the United States, the MPAA granted The Exorcist an uncut R rating; a move which, in this largely liberal modern age, may appear to be somewhat surprising for a largely Christian nation. After all, this is a film which features a preteen girl masturbating with a crucifix whilst shouting, "Let Jesus **** you" . In hindsight, Friedkin is surprised by the leniency granted to him by the MPAA, as he recounted at the Dallas Film Festival in 2013:

"The Exorcist today would be rated NC-17. There aren't enough 'X's in the alphabet for what The Exorcist would be rated today. In those days, the ratings board was very liberal and they were not out to censor films, just warn people about content, so parents could decide if they wanted their children to see them or not. And that's all the ratings board should do. But they go far beyond that today and they censor films."

Stephen Murphy, Secretary of the BBFC 1971-75.
Granted a surprisingly lenient uncut X rating.

The film went on to be a huge success but it was not without some controversy, with reports in the States of cinemagoers allegedly fainting and suffering heart attacks in some theatres. Over in Britain, The Exorcist was submitted for a BBFC classification early in 1974 during the tenure of secretary Stephen Murphy. As we've discussed in previous editions of the series, ground-breaking films like Straw Dogs were causing trouble with the BBFC during the 1970s, but surprisingly Murphy quickly passed The Exorcist uncut with an X certificate on January 28th 1974. Commenting on the event at the time, Murphy stated:

"It is a powerful horror movie. Some people may dislike it, but that is not a sufficient reason for refusing certification."

The Exorcist made a lot of money at the British box office, but just as it had Stateside it also attracted some controversy from pressure groups -- particularly religious ones. At one point, Warner Bros. had fleets of ambulances lined up outside of cinemas should any patrons require their services. As a result, some local councils banned the film, but generally the British public took no issue with the picture and it continued to play well into the late 1970s.

James Ferman, Director of the BBFC 1975-99.
Possessed by the notion that The Exorcist should be banned on video.

After a few years, the home video market began to take off and Warner Home Video released The Exorcist on video in 1981 without a BBFC certificate. This was a time before the Video Recordings Act (VRA) was introduced, which would require videos to be classified by the BBFC. As we mentioned, The Exorcist was never banned during this period, nor was it never prosecuted as one of the "video nasties". The VRA was introduced in 1984 and with the BBFC having being tasked with reaching numerous decisions on a large amount of unclassified videos available on the shelves, a four-year grace period was granted to the Board -- by 1988 they had to either classify these 'pre-cert' videos, or demand that they be removed from sale.

When it came time to consider The Exorcist, examiners debated at length about whether it was suitable for a home video classification. The unregulated nature of home video meant that underage viewers could easily have access to the film, and with alleged reports of several young women becoming hysterical after seeing it the BBFC were concerned that "severe emotional problems" may arise if the film was allowed in the home, particularly amongst viewers who believed in the notion of demonic possession. James Ferman was, of course, the secretary of the BBFC during this period and he took a hard stance against the film. Believing there was a significant risk of harm to British society in issuing a video rating, the pre-cert video of The Exorcist was removed from shelves at the beginning of 1988, with Ferman refusing to issue The Exorcist with a home video rating. However, the BBFC had no problems with the film continuing to play in theatres during this period and happily issued an uncut 18 rating for the film two years later on August 10th 1990. As time went on, The Exorcist would be brought up repeatedly for internal discussion at Soho Square over the years but Ferman remained steadfast -- a home video release would not be forthcoming.

Cutting Edge interviewed former BBFC examiner Carol Topolski, who worked with James Ferman during this time, and she recalled the problems she and her fellow examiners faced when trying to reach a decision on The Exorcist with Ferman:

"I don't know what he had against that film. On the big screen, I don't think he had any problems but on the small screen, he just took against it. We endlessly, endlessly challenged him on this. He had a feeling about some films that if they appeared in the home, they would cause moral chaos just by being in the home. It was rubbish, of course, but annually we had that debate [about The Exorcist] and annually he would just dig his heels in and say no, that he just thought it would be too damaging if any child should watch it, and that was a whole other argument. If you say, which sometimes he appeared to be saying, that everything on video has to be suitable in case some passing child saw it, then everything would be cut to PG, which is a nonsense. I would say over and over in board meetings, 'we are not the parents, we have to assume that most parents are reasonably responsible'."

The years rolled by, but with Ferman in charge fans of the film -- not to mention Warner Bros. -- continued to be disappointed at the lack of availability of The Exorcist on home video, with the distributors asking for a reconsideration every year or two and Ferman continually responding in the negative. The Exorcist was never formally submitted during this time, and thus it was never formally rejected.

Robin Duval, Director of the BBFC 1999-2004.
Exorcised the notion that the film should be banned on video.

Timed to coincide with the Halloween of 1998, the film was re-released in 260 British cinemas in October for the film's 25th anniversary, and the BBFC took the time to address the home video situation in December of that year via a statement on their website. It read, in part, as follows:

"The problem is not the frightening nature of the story but the combination of the themes with which it deals and the very powerful treatment it is given. Showings of this film have resulted in severe emotional problems among a small but worrying number of adults who do believe in the reality of demonic possession and satanic practices. A video or television showing would inevitably attract many young teenagers, some of whom would be, more even than adults, susceptible to this sort of material, since they might well identify with the central character, a 12-year-old girl. Newspaper reports and letters in our files indicate the very real and serious disturbance that can result and we feel uneasy about being a party to this sort of psychological damage. It is partly because the film is so convincing and effective that it can be so disturbing for some. Eventually, perhaps the time will come to release THE EXORCIST on video, but we are not convinced that this is that moment, particularly at a time when many parents allow their children to see videos unsupervised, according to the latest research."

What's curious about the this press release is what was going on behind the scenes at the BBFC at the time of its publication. On March 27th 1998, James Ferman announced that he would be resigning as Director of the BBFC at the end of the year after an unprecedented 23-year reign. It was later announced that his successor would be Robin Duval, who was appointed on November 7th (although he would not take over formally as Director until January 4th 1999). Warner Bros. were no doubt acutely aware of Ferman's upcoming departure; indeed, by mid-June of 1998 the British press reported that Warner Bros. were already engaged in meetings with the BBFC about the possibility of a video release. A few months later, they submitted The Exorcist for a formal home video classification at the end of October, following the 25th anniversary theatrical re-release.

Around mid-December, rumours began to circulate about a possible video release finally being granted, which likely prompted the BBFC's statement that month. Although no formal decision had been reached at this time, Warner Bros. were so confident that the film would be passed that they announced an early 1999 release date to the trade under the codename "Project: Green" shortly before Christmas. Sure enough, the British public didn't have to wait much longer. On February 25th 1999 with Robin Duval as the new Director of the BBFC, The Exorcist was classified 18 uncut for a home video release. It had been 11 years since it was available to buy in British stores. In a BBFC press release co-authored by Robin Duval, the Board stated:

"It must be acknowledged that there is little if any hard evidence known to the BBFC that THE EXORCIST has, in its video form, caused actual harm to its viewers. The video version was in fact widely available for many years before the Video Recordings Act 1984 introduced the requirement of BBFC classification. The recent re-release of the film version by Warner Brothers has, moreover, been accompanied by none of the hysteria or audience disturbance which occurred in the mid-1970s. The BBFC concluded that THE EXORCIST, while still a powerful and compelling work, no longer has the same impact as it did 25 years ago. We cannot discount the possibility that, however restrictive its classification, under-age persons may seek ways to view it. On the other hand, both the name and the nature of this film are familiar to most people: its reputation should prompt many parents and guardians to be more alert to that possibility than would normally be the case."

The film was released without incident on video and DVD, and was later passed 18 in a Director's Cut version for a theatrical release on September 28th 2000 and later on video on January 2nd 2002. Both versions are available to own on Blu-ray in the UK.

One last note -- despite Robin Duval's appointment as director of the BBFC on November 7th 1998, James Ferman did not leave the BBFC at the end of the year as he had stated, instead choosing to hang around as a sort of unofficial advisor well into 1999. As one anonymous insider working at the Board was quoted as saying almost a year later in October 1999:

"Robin Duval is finally feeling a little more secure as Director of the BBFC, having finally got rid of James Ferman, the ex-director who hung around like a bad smell until April, five months after he was supposed to have handed in his keys and gone home."

It seems that even in his final weeks as director, Ferman was keen to leave his mark on the workings of the BBFC even in the presence of new blood. Any attempt he may have made to exert a negative influence over a video release of The Exorcist was obviously in vain. "

[Rik]

Never seen this before, not sure if it’s an actual poster or fan art, either way I like it a lot

IMG_0211.JPG