Plenty! As Arrow explained at the time, the whole point of opening up the US arm was that a bigger marketplace would justify a greater number of original 35mm-sourced restorations where James White and Deluxe can maintain complete control over the entire process from beginning to end. And I'd never have believed in 2013 (when Arrow released just three original restos) that they'd come this far just two years later.
And yes, the point of the higher-profile titles is indeed to subsidise the riskier ones - especially if they need lots of expensive work done to make them releasable.
|