#91
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#92
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This is one of my favourite Fulci's, I certainly hope it gets corrected so we can have the intro to the film in sepia. I wonder how this happened in the first place? |
#93
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Some interesting things I've found: Quote:
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L'aldila (1981) @ EOFFTV |
#94
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It was shot in colour.
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#95
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Out of context, sir and I didn't write it, it's from a link/quote.
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#96
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Is this still going to make the intended street date with the extra work that needs to be done?
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#97
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Yeah, I realised that after I'd posted. Sorry. I should have said the link you quoted from is wrong. Or incorrectly translated. In fact looking at the wiki page it says... Il prologo del film fu girato in bianco e nero, virato seppia Girato means turned, I think. So rather than saying filmed in B&W it should be turned B&W...
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#98
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The text from wikipedia is badly translated. The tex tells us" Il prologo del film fu girato in bianco e nero, virato seppia." That means "The prologue was shot in black and white, turned into sepia" and not "The prologue of the film was shot in black and white, sepia". You cant´t shot a scene in black/white and sepia at the same time with the same camera. We all know that we can´t always trust wikipedia because it´s a site made from all the feed from it´s users. Some of the things on wikipedia are not always right. I don´t know if this particular scene was shot black and whit or in color, but was surely intended as degraded sepia. |
#99
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I'd say that because this scene exists in full colour as an extra on various DVDs it's a pretty safe bet it was indeed filmed in colour. In fact seeing as the scene existed in colour in German releases years and years ago (before digital trickery could even begin to think about colourising B&W footage so it looked like it was actually filmed in colour) I'd say it was definately shot in colour.
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#100
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