#161
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__________________ A Night of living terror led to a Dawn of false hope but nothing before will prepare you for the darkest Day the world has ever known Check out my wife and I's new travel blog www.wepackedourbags.com My entire Blu Collection for sale: https://www.cult-labs.com/forums/dvd...tion-sale.html |
#162
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I wouldnt say any jacopetti/prosperi films could be classed as an atrocity.Powerfull and unflinching yes,but mostly extremely important works that changed the face of the documentary format forever
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#163
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Quote:
I know that there will probably be some people jumping down my throat for saying the above, but I can tolerate most films and these are in a very rare breed that I found repulsive. Pure exploitation for the sake of it.
__________________ The Church Of What's Happening Now. Last edited by mr 420; 14th March 2011 at 05:18 PM. |
#164
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No one should be jumping down anyone's throats. Everyone's entitled to their opinion and we don't all have to agree with each other! Would all be very dull if we did.
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#165
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Thank you Sarah!
__________________ The Church Of What's Happening Now. |
#166
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mr.420 I consider the August Underground/Toe Tag "films" to be the same ... tripe! Not a shread of talent.
__________________ Steelerik on Twitter .. look for me ;-) |
#167
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I saw the first one and while I was impressed with the special effects I came away with the exact same opinion as you. It (August Underground) reminded me of Flower of Flesh and Blood. Powerful but pointless.
__________________ The Church Of What's Happening Now. |
#168
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Think a couple of actor interviews would go down well..just watched the grindhouse release with interviews by the guy who played Alan Yates and Robert Kerman..two totally different people..Kerman looks as if he could do with a weeks sleep and to be honest don't think could really be bothered..on the other hand Carl Gabriel Yorke full of tales of the shoot etc..interviews with Francesca Ciardi and Perry Pirkanen if they could be traced would be great...
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#169
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#170
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As much as I despise racism, when I watched Addio Zio Tom/Goodbye Uncle Tom, I thought that if you're going to make a dramatic documentary about the slave trade, then this is the way to do it. Yes it's repugnant, but that's the whole point, slavery was repugnant. If you find the subject matter repellant, then I'd say that's a good thing and is the point of the film. But I do agree that it's jaw-droppingly sensationalist and at times couldn't believe what I was seeing! It probably is indefensible, but I'm defending it anyway.
__________________ Sent from my Hoover using the power of Uri Gellar |
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