#9891
| ||||
| ||||
Quote:
although not brilliant by any means so cause of that I have yet to buy it. Will prob grab the blu when its like £5 was a cool cinema experience though. |
#9892
| ||||
| ||||
I can imagine it would work a lot better in the cinema. I liked the second half (good ending!), but got a little bored of the real-time lamplit room searching - felt like I was playing a particularly uneventful computer game . . .
__________________ I now have a shiny new website! Or check out my DeviantArt profile if you please... |
#9893
| ||||
| ||||
In regards to post Opera Argento, I do (ever-so-slightly) prefer Sleepless to MoT, but I agree on it being a 'good' film. It's certainly better than Stendhal, The Card Player, and Giallo, plus it doesn't deserve the sometimes harsh criticism it receives in my opinion! |
#9894
| ||||
| ||||
Quote:
yeah that part of the flick did drag a bit. |
#9895
| ||||
| ||||
Quote:
I reviewed it some time ago so, if you want, you can read it here: The Silent House Blu-ray Review
__________________ |
#9896
| ||||
| ||||
Which one was that? I think the camera flashes in the darkness scene was the scare highlight for me . . .
__________________ I now have a shiny new website! Or check out my DeviantArt profile if you please... |
#9897
| ||||
| ||||
I can't really say without spoiling it for those who haven't seen the film yet and I don't quite know how to describe it anyway!
__________________ |
#9898
| ||||
| ||||
Fair enough! I can't remember any other major scares though. Did like the creepy figure in the headlights though - those half-glimpsed figures at the back of the shot always creep me out Regarding the one-take thing, I thought it was obvious at several points where the in-built edits were concealed. I think some sequences would've benifited from traditional editing. Some scenes were hampered slightly by odd movements to make way for the carefully hidden crew . . .
__________________ I now have a shiny new website! Or check out my DeviantArt profile if you please... |
#9899
| ||||
| ||||
I'd probably need to see it again, but I seem to recall someone touching her on the shoulder along with an extremely loud aural stab, which was the main 'jump' as far as I'm concerned. As you say, the half glimpses and scene with the girl in the road were extremely effective and, though it has been used many times before and since, the scene with the Polaroid flashes was another where the amount of tension and atmosphere skyrocketed.
__________________ |
#9900
| ||||
| ||||
Oh yes I remember!
__________________ I now have a shiny new website! Or check out my DeviantArt profile if you please... |
Like this? Share it using the links below! |
| |