| ||||
Beast of the Southern Wild - Stunning, lyrical film about a child growing up in a Southern American bayou, trying to process the illness of her father and the inevitable destruction of their fragile community from a forthcoming storm the best way she can - by imagining giant, frozen prehistoric creatures have been unleashed from the melting icecaps and are heading for them. I've heard Oscar buzz for 6 year old Quvenzhané Wallis, and she deserves it. A beautiful film, with a soundtrack that sticks in the head, and yet another stand out cinema trip this year. It’s been a while since I’ve seen a film that felt this alive. Rust and Bone - For fear of sounding like a philistine, I never got the appeal of director Jacques Audiard's A Prophet. I found it a chore, and full of the conventional tropes one generally associates with prison dramas, despite its rather sumptuous, languid cinematography and dreamy metaphysical approach to its subject (don’t tell anyone, but I had a similar bemused disinterest for Haneke’s much lauded The White Ribbon – and I generally adore Haneke) Rust and Bone is far more grounded (thus will probably take less plaudits), and even more heart-warming as a relationship develops between an orca trainer (the ever stunning Marion Cotillard) who loses her legs in a work accident, and a handsome, roguish, bare knuckle fighter/part time security guard played by Matthias Schoenaerts. Affecting without every descending into melodrama, it's a love story for those who don't like twee, cloying love stories. Like me. Skyfall – My hand’s up, I'm not a Bond fan. I don't mind them - I used to watch them on TV as a kid - but I've never cared that much for them. Never owned the videos, the DVDs, nor will I on shiny blu ray. So it was absolute indifference that I approached Skyfall, finding Casino Royale 'ok' in a gritty, grizzled kind of way, and Quantum of Solace a shambolic mishmash that I can barely remember. As for Skyfall, yeah.. was fun. Loved the credits (not a bad opening song too) and got the in-jokes. I also liked its sense of melancholy and Javier Bardem’s camp villain. Wasn't blown away; will forget about it in a week or so, but pretty good. Y’know, for a Bond film. That's it recently. All cinema flicks and nothing particularly cult. : ) |
| ||||
This is exactly how I see them, in fact the last "new" Bond film I watched was Licence To Kill at the cinema
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
| ||||
What's this? Is it the Japanese 'Dark Water' or the American remake of the film? Looking at the tagline - 'Les Serviteurs De Satan' (The Servants of Satan?) - suggest that it isn't
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
| |||
I'm very much a Vampire fan and until recently had never seen 'Near Dark'. I was recommended it (the person recommending said it was the best Vampire film he had ever seen) but unfortunately I did not agree and was rather disappointed. I would watch again though.
|
| ||||
Quote:
|
| ||||
Quote:
Apologies for resurrecting this age old argument, but Lost Boys beats Near Dark hands down!!!
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
Like this? Share it using the links below! |
| |