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SUPERMAN THE MOVIE (1978) For me, the best ever Superman film and the best Superman in Christopher Reeve. This is straight out of the comics and the casting is all round excellent. Who can forget Lois Lane's night flight with Superman? The opening titles with John Williams score sends a shiver down the spine. Awesome ! |
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Point what im trying to say is these type of films even if good are are pretty poor by todays standards, compared to how films use to be. I think Hollywood etc gone down hill in film standards (dont get me wrong still some fantastic films about) that its become the norm for a film to be rubbish or for you to be disappointed. Years ago going video shop you could spend a hour trying to find what to watch because so many films took youre fancy and bob told you so and so film was good, you would wade through lots of good films to find a bad one, Nowadays most people complain so and so film rubbish, you watch more films that you dislike one way or other to find one that you really like. Hence why a higher % of most film collections consists of older films from years ago or before year 2000, with odd exception of j horror and french korean etc films But im mainly talking about Blockbuster / Hollywood films in general, not the whole film industry etc There is some fantastic films out there to be found you just have to stray a little from mainstream. Last edited by gag; 7th September 2016 at 11:12 PM. |
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The Raid (2011) A second viewing of this action spectacular and whilst i enjoyed it a lot more than the first time i saw it, The Raid is a film i still feel is full of flaws. Following a gripping opening hour we seem to fall into a trap of seemingly endless video game style hand to hand combat. Where in the opening half, bad guys were dealt with by single blows or stabs for example, the second half just goes on and on. The same three characters punching, throwing, kicking, each other with no seeming effect. The chief bad ass even gets a glass fluorescent tube stabbed into his neck with blood spurting everywhere but still he fights on as if it were merely a scratch. Realism that was apparent early doors was discarded completely. This switch in tone doesn't work in my opinion and really lets down a film that had action classic stamped all over it up to the hour. |
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And sometimes just a tadge realism in a film can make a whole lot of difference. |
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Why I oughta!! The Singing Ringing Tree (1957, Francesco Stefani) Due to the Marxist enclave at the BBC which gave us all those wonderful Eastern Bloc kids programmes, I still have fond memories of being terrified of dwarves as a child. Watching this now (Network's restoration looks vibrant imho), it is easier to see that the titular plant is a metaphor for Communism. And why not?? Watched it with the rather plummy BBC "narration" to see if it sparked any memories. It didn't . The Offence (1972, Sidney Lumet) The film you should all rave about instead of Zardoz . A child killer is on the loose, and Sgt Thompson thinks they've caught their man?? As British as fried fish (except for the director!! Nurse!!), this is a film I come back to again and again. Even watched it with my mother once (but then I watched La Luna with ma, and her comments during that were priceless). Possibly I should mention that it's Connery, S. as the bobby cough.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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The Earth Dies Screaming (1964) When you think of Terence Fisher, one of British cinemas greats in my opinion you should instantly think of his Hammer film catalogue - Dracula, The Mummy, Curse of Frankenstein and The Devil Rides Out - are all part of a significant canon of classic British horror films directed by Fisher. Among all the Hammer was this curio, The Earth Dies Screaming. A science fiction gem that is often overlooked. Clocking in at a mere 61 minutes the film romps along following a small band of survivors after an unexplained event left the country's population dead. However this disparate group are not alone as alien robots are also stalking the countryside. Following one of the most downbeat openings i can recall, Fisher throws us straight into a 70's Doctor Who adventure as it utilizes much of the aspects of 70's Who. The sleepy English village, a race against time,walking corpses, Cybermen...but Fisher and script writer Harry Cross gave us this well before Doctor Who even thought of these ideas, making The Earth Dies Screaming something of a visionary piece of British sci-fi. Cross's script is simple but intelligent. We don't get any answers as to why and how events took place nor who or what the robots are. Like the characters, we just know they did take place. Also the resolution is worked out through guess work and understanding communication methods rather than on an interplanetary scale. It's not all brilliant, though much of it is. Lead actress Virginia Field appears to play her role in slow motion, especially when pursued and... No, that's about it. The Earth Dies Screaming is actually rather brilliant. |
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Despite all the controversy and fuss over the transfers of the Female Scorpion films I am so glad I bought the set, I really really like all the films in the series so far, with my favourite being Beast Stable. Female Scorpion 701 - 8/10 Jailhouse 42 - 8/10 Beast Stable - 9/10 |
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