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Noted as always F. I may revisit your last recommendation after all. LDATMM I've always loved ... even the howwibly twuncated vhs I had.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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As usual, superb reviews, Frankie. I am a big fan of Hardware and The Living Dead in Manchester Morgue (neither of which I have seen in the last couple of years) so it's great to read your thoughts on those. Likewise with Don't Go in the Woods… Alone, which oddly is a film I think is an omnishambles of writing, direction and acting, but there is something which draws me back to it time and again!
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Turistas (2006) or give it's UK title of Paradise Lost (Lions Gate Home Entertainment) which stars Melissa George , Josh Duhamel and Olivia Wilde. A group of young backpackers' vacation turns sour when a bus accident leaves them marooned in a remote Brazilian rural area that holds an ominous secret. The plot does not sound great to many maybe but it is worth giving it a try ( I watched the extreme edition) and you maybe surprised,I do not understand why so many reviews of this have given it a thumbs down because it does not deserve it imo,Quite gory and suspenseful. A thumbs up from me. Going to watch 30 Days of Night next.:-) |
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I remember some Americans behaving appallingly in a foreign country. So they deserve what they get imho
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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Same, spot the American is a very easy game to play while in Tokyo as they stick out like a sore thumb in such a quiet and reserved country.
__________________ Triumphant sight on a northern sky |
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Not so long ago, I confused Paradise Lost with The Ruins in a conversation on here with someone. This is not entirely unsurprising because it is a case of two films released two years apart with two word titles in which Westerners go to a South American country and bad things happen to them! Due to that misunderstanding, I re-watched both, buying The Ruins on Blu-ray, and thoroughly enjoying both. I think I liked the 2008 film the most, simply because the horror is slightly more grotesque (people pulling vines out of their skin and a wonderfully realistic broken leg) and, aside from the broken leg incident and what follows, they stumbled across their fate by accident rather than antagonising those around them through gross cultural insensitivity. They are films where they have a lot going for them, whether it's the direction, the engrossing story with realistic dialogue or the good ensemble casts and, if you haven't seen either of them, they are both well watching.
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Speaking of Paradise Lost, currently sat waiting for a bus to a students house listening to: IMG_0659.JPG
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
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Mother of Tears (2007) Dario Argento's third and final film in his Three Mothers trilogy. I've always thought it unfairly criticized. Perhaps due to the first two films being Suspiria (1977) and 1980's Inferno. For sure Mother of Tears doesn't compare to them, but in truth in Italian horror or perhaps any horror, what does? There are flaws. Rome falling to pieces under the spell of the witch of tears is hampered by budgetary constraints and should have been left out - a couple of men bashing a car with iron bars does not really suggest that modern society is breaking down - and the arrival of witches from across the globe into Rome is no different than a typical Essex girl holiday. The film also suffers from a weak score from Claudio Simonetti which is a shame because his score for Suspiria is one of the finest musical accompaniments to a film full stop. Despite these errors of directorial judgement which give the film an at times decidedly clunky feel, it's well paced with some tremendous gory interludes courtesy of Sergio Stivaletti. Dario's daughter Asia, holds the film together well in what i think is her best screen performance, and the easy to follow script has several nods to the two earlier films in the trilogy and a creepily debauched wicked witchery feel to the second half of proceedings Some 27 years on from Inferno, Mother of Tears is actually a very good Italian horror film and a fitting finale to an excellent trilogy of terror. |
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