28th April 2018, 07:22 PM
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Cult Veteran Good Trader | | Join Date: Jan 2011 Location: summerisle | |
Quote:
Originally Posted by Frankie Teardrop NIGHT OF THE HUNTED – Jean Rollin flick from near the conclusion of his canonical phase. Don’t expect vamps, but it does contain some of his usual staples i.e forlorn expressions of love between two twin-like female protagonists. It’s seen as a bit of an anomaly set against the rest of his work from around this time, however. NOTH unfolds in a semi-futuristic psyche ward / apartment complex that houses the victims of a vaguely defined dementia. Bridget Lahaie is on the run trying to figure out what it all means whilst a bit of random stabby stuff goes on in the background. It’s a film that never seems to get great press, possibly because of this perception that it deviates from the ‘usual’ JR template. I’ve always really liked it. The morbid atmosphere of Rollin comes through strongly, only this time the sense of ‘dreamlike suspension’ has an early Cornenbergian tilt (think ‘Stereo’ / ‘Crimes of the Future’), or maybe the arid complexion of a J G Ballard novel.
OFFERINGS – Looks like they were still doing ‘Halloween’ rip-offs in the late eighties. This isn’t a very good one of those, but I still found it pretty entertaining in a scraping-bottom-of-barrel kind of way. Copies are generally more interesting when they’re imperfect, and ‘Offerings’ tempers its fairly literal retread of the Carpenter classic with a host of flaws. Unfortunately one of these is a relative lack of splatter - you’d think they’d soup things up with something a bit gratuitous, but, not really. In its favour, the pace isn’t too bad, and the ‘shot on a shoestring regional horror indie made by probable non-professionals’ feel comes through rather well – I happen to like that sort of thing, but many don’t.
DREAMING PURPLE NEON – Todd Sheets might be a name familiar to those with an interest in shot-on-video horror, a fannish underground that spawned some real trash. Sheets himself was known pretty well for items such as the undynamic but gory ‘Zombie Bloodbath’ etc back in the early nineties. As for what he’s doing these days, DPN is a microbudget indie about some guy who returns to his home town only to find it laid low by a drug epidemic manufactured by devil worshippers. Things heat up at the local dentist’s, where some ritualistic shit goes down along with a load of blood and guts. In true Sheets style, DPN is very graphic and goes through a ton of prosthetics in its bloated run-time, although a slight levity of tone takes the edge off any harsh stuff. Looks much better than his earlier camcorder-in-a butcher’s-window workouts such as ‘The Goblin’, and flies by pretty quickly.
THE RITUAL – Some thirtysomething Brit guys go on a walking holiday in Sweden to commemorate their friend, a dude who died in during a robbery. They find themselves lost in a forest that turns out to hide a small community of monster-worshippers. ‘The Ritual’ is pretty good overall and offers lots of finely honed cinematography, tense atmosphere (early on) and some decent performances. It does actually suffer when the horror elements become more overt – maybe these were always going to end up as more central (haven’t read the book it’s based on so can’t say), but, up to a certain point, it works better as an increasingly paranoid thriller about the dynamics of male friendships, and to me it felt like a real shame when that psychological intensity was abandoned halfway through for something more literal. Anyhow, still worth catching. | As always sir. NOTH a favourite here also .... and all the rest are duly noted. Kudos ...
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