| |||
Where The Crawdads Sing A young girl who is abandoned and lives on a Marsh is accused of Murder and is put on Trail. Never read the Book but found the Film rather enjoyable however I had hoped that they focused more on the Trail but they did a good job of creating suspects and David Strathairn gives a good performance however it's still worth a watch. I believe that the Book was aimed at Young Adults so I was a bit surprised that it was a 15 considering the violence could have been cut out and left to the imagination. Perfect Catch The American version of Fever Pitch which sees Boston Redsox obsessed Jimmy Fallon fall in love with Drew Barrymore. Just as good as Fever Pitch with the caveat of making changes so it's not a carbon copy. Hands Of Steel Set in the future of 1997, this futuristic feature sees an assassination attempt go wrong by a Cyborg who then goes on the run from Authorities and his creators. He eventually ends up at a Motel run by Janet Agren and makes another enemy in George Eastman. I thought that this Italian Film would have had more violence and I believe that they had to shoehorn the only scene with nudity. The effects were of it's time, the script was corny and Acting, very wooden. But I rather enjoyed it. Oh yeah, I was wondering if there was something wrong with my Blu-Ray as the Film abruptly ended lol. |
| |||
Meatballs (1979, Ivan Reitman) Meatballs II (1981, Ken Wiederhorn) Changing it up slightly, I revisited the first and entertained the second for the first time. Ahem. As part of my endless quest to watch every film from '79, I reappraised Meatballs after decades. More sporty than I remembered, and a darn sight more wholesome to boot , what with the Murray tutoring a young lad in good clean fun. There is an underdeveloped "rivalry" with a snootier camp across the lake, which seemed like an afterthought, and as I say the finale is "team based" ahem. I hated it. The second ... was something else. Seeming to have moved (new neighbours cough), we now have the dad from Soap! as camp director, Paul Reubens as handyman ... and a few other guests besides Aside from the more formulaic nature, there was just something endearing about its barefacedness. Then .... well, let's just say it's not something you see every day.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
| ||||
Battles Without Honor And Humanity. 1973. After WWII in Japan, a young gangster called Shozo rises up and tries to keep the power he has from other bosses who are trying to run the black market. From the director of Battle Royale comes his early works with a mobster type film where there is crime, drama, violence, more violence and some intentional or unintentional comedy moments. Right from the start we see the highlights of where Japan surrendered and basically thrown into the movie that just gets better and better as movie goes on from people being friends to bitter enemies. This was something that I thought may never appeal to me and took a gamble which i'm glad that I did. Battles_Without_Honor_and_Humanity.jpg
__________________ " I have seen trees that look like tortured souls" |
| ||||
Quote:
I'd say Starman was aimed at a wider audience than any other film Carpenter has made. This is reflected in its relative commercial success and recognition by industry awards, with Jeff Bridges receiving Golden Globe and Oscar nominations for his performance.
__________________ |
| ||||
Quote:
I still think in 2022 Halloween would be classed as his most famous film and most successful therefore most mainstream. How many people round the world watch Halloween pretty much every October? You can guarantee it's shown somewhere by one of the five main UK channels every single October 31st as an example. You can't say that for sure about any other of his films. |
| ||||
I only watched Starman for the first time ever a couple of weeks ago. I bought the Sony Blu-ray the day it came out, I kept the receipt in the box haha, £9.99 remember those days... I really liked it. Undoubtedly Memoirs... and I guess Village of the Damned were meant to be his 'big budget' mainstream phase being financed by the studio system but both of them ended up being a bit of a flop. Escape from LA had a $50 million budget financed by Paramount, almost as much as Memoirs and Village combined, it made more money than both films but still woefully less than the amount spent on making the film! He's a had a bit of a rollercoaster career!
__________________ Triumphant sight on a northern sky |
| ||||
Quote:
If we are looking at Carpenter's career as a historical piece of work, then I would agree the most mainstream film is probably Halloween. It's definitely the one with the most name recognition, iconic theme, and imagery. If 'John Carpenter films' was a category on Pointless, Halloween would be a crap guess!
__________________ |
| ||||
Quote:
|
Like this? Share it using the links below! |
| |