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Unseen Movie 82 Summer Of 84. 2018. With a spate of missing children happening round a small town, one boy believes his neighbour is the culprit and gets his friends to spy on the neighbour, only problem is the culprit is the local sheriff. Going back to the 80s when kids actually played outside without technology being around were some good days Directors Francois Simard, Anouk Whissell, Yoann-Karl Whissell manage to create something that has been done, people spying on their neighbours but using things from the past and keeping happy memories going. The acting from the young cast is decent and believable and the "parents never listen to kids" is very much alive in this little flick, it's more thriller type of film rather than full blown horror, it does start off slow and once it get going this held my attention right up to the end, certainly coming back to this. MV5BMTJhMmQyZDAtZTg3Mi00NzQwLWJkZWEtNzE5MTZhMzIyYTM2XkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_.jpg
__________________ " I have seen trees that look like tortured souls" |
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Unseen Movie 83 Evil In The Woods. We got a young Brian Abent checking out a book from the library and is sucked into a world of a film crew making a movie in the backwoods that are stalked and killed by...something. This is one of those films where you know it's bad and it will never get any better and it doesn't it just gets worse and worse and here I am somehow thinking how I watched this to the end. The acting is laughable with the film crew trying to make a movie yet the acting still sucks. The costume design for the monster is laughable and the end was hilarious. Low budget Aussie film that will never be viewed again and I'm sure someone will go hunting for it MV5BNTFjMGI4MWItMWRlYy00YTE0LTllODEtOWNmOGVkZDcyNzQ5XkEyXkFqcGdeQXVyNDUxNjc5NjY@._V1_.jpg
__________________ " I have seen trees that look like tortured souls" |
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SRIGALA - They call it the Indonesian 'Friday The 13th', but since when did Jason romp around in a red speedboat, tossing grenades? Might've pepped up least a few of the sequels if he had. No, 'Srigala' does in fact riff quite heavily on F13, in fact the climax is basically just that, but it's mostly about treasure thieves hassling pesky kids who might scupper their lakeside manoeuvres. I was torn between not feeling massively engaged and really liking bits of it; just when exasperation creeps in after one fake scare too many, a random zombie dream brings hope and guffaws with its misplaced weirdness ('Srigala's good with little bits like that, see also red speedboat above). And I dug the music, a lo-fi mix of keyboards, post-punk guitars and organ drones that seeps into scenes of chatty sunbathing and clouds them over with an under-the-surface oddness. One thing they do lift rather well from the original 'classic' is the OTT storm that dominates the latter half of that movie and does the same here. Overall, an interesting curio likely to attract Mondo Macabro enthusiasts - though this was put out by Terror Vision, who've done a sterling job. DREAM HOME - There aren't all that many credit crunch slashers. 'Dream Home' is about Lai-Sheung and her unwavering fixation on a des res Hong Kong pad with a harbour view. We find out what drives this obsession through a series of childhood flashbacks that mar the pace a bit, but, beyond the semi-novelty of a slasher doubling as socio-economic satire - which you sort of had in 'Driller Killer', for example - 'Dream Home' is really more about pushing home the gore after Lai hits on her scheme to drive down local housing prices by butchering their tenants(!) There's certainly plenty of vicious splatter; although I was more impressed by it the first time I saw it, it's one of those noughties nasties that stand out set against the comparative anaemia of the now. OPEN GRAVE - I'm not overly big on zombie aftermath movies when they're just about the usual bickering survivors and ghouls who can run. 'Open Grave', on the other hand, lays on nice visuals, a thoughtful approach and downer vibe - I quite liked. Sharlto Copley wakes up in a pit full of corpses, not knowing how he got there or what lies ahead in the world beyond. He finds a house of similarly memory-impaired people, and together they try to piece things together whilst fending off the advances of wild eyed posthumans. It takes its time but manages to sustain tension by not laying down its cards all at once - we're as much in the dark as the characters. Even if it relies too heavily on the beats of its particular subgenre to transcend it, the mood of sunny dereliction cut through with rabid menace makes it seem more offbeat than the usual post- '28 Days' fare, at least until the typical finish. |
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I also thought Open Grave was a crushing disappointment. Although i have seen it and used to have the dvd i couldn't tell you a thing about it other than it takes place in woods. |
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__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
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Unseen Movie 84 Jive Talkin'. 1974. Released under a different title, this is Blaxploitation not at it's finest but certainly not at it's worst, set in 1954 Harlem with actors I got no idea who they are throwing about the "N" word alot and even a song with the word in it, so the makers may have tried to push it out more than they should. We got the Big Daddy of Harlem and the not so Italian Stallion Mobster at war for turf that even the police are racist who'd da thought that for a 70s film. You got the second in command "Sweet Daddy" trying to be a bookie but also tries to get young ones going straight and a near father figure teen looking out for his family. Truth be told even though it was low budget and badly edited I actually enjoyed this. MV5BNDM2NjRjYTQtMGZiMy00MDcxLWIzMGYtNjcwMjM1OGIzN2MwL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNzc5MjA3OA@@.jpg
__________________ " I have seen trees that look like tortured souls" |
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Saw The Conference on Netflix last night. A bunch of municipality workers go on a retreat to celebrate the imminent breaking ground of a new shopping mall (that most locals don't want), only to become the target of a psycho killer with a score to settle. This very entertaining 2023 Swedish slasher feels vaguely reminiscent of the 2006 British comedy-horror Severance but is a whole heap of fun. |
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