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As for myself, everything i watch is on either dvd or Blu-ray and more often than not i'll say what i thought of the disc quality. It's hard enough getting people to review anything they watch never mind asking for specific criteria. |
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It is worth a watch Dem. Just don't go spending top dollar. I've just remembered another film it reminded me of quite a bit, also a John Cusack starrer, the Stephen King adaptation 1408. Only in terms of some of the ideas pilfered. The unusual concept of a relatively big production with big names set here in Wales, relatively close to me was very interesting to me. Sadly the pay off just wasn't there. Last edited by J Harker; 8th July 2024 at 08:54 AM. |
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Big A boy makes a wish that he get's big and the next day it comes true (As well as getting older) and turns into Tom Hanks. So he gets a job for a toy company and gets a Girlfriend but eventually he has to wish back to being to how it was. Not seen this in probably decades and it was still a lot of fun. Maniacal A man attempts to murder his Father and kills his Step-Mother, gets sent to a Mental Institution, goes on a rampage on the day of release and goes back home to go on another killing spree. OMG, definitely one of the worst 5 films I own (If not top 3) everything is terrible from the Acting, Script, Gore (You can tell it's rubber dummies) |
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Frightmare (1974) Pete Walker's grisly tale of cannibalism in the home counties is often seen as his greatest work. Starring Sheila Keith and Rupert Davies as a couple recently released from an asylum where Keith was incarcerated for murdering and partially eating six people. However Keith isn't cured and her cannibalistic urges quickly return. Although low budget Walker filmed it all on location or out of a studio and it's all the better for it. It gives the film that seedy seventies feel following the hedonistic times of the swinging sixties. Coming over like a kind of British grim and gritty version of The Texas Chainsaw Massacre - Keith's character Dorothy uses all manner of power tools to dispatch her victims at her rural farm house - but arguably better written thanks to David McGillivray's tight script. You never realise that the murders don't begin until the films midway point - It's exact midway point to be precise - as the story and realistic acting draw you in and keep you invested, in particular Deborah Fairfax who plays the couple's London living daughter Jackie. It's Keith who is the main draw, starting off sympathetic she evolves into a scheming remorseless killer and the first time i watched it i quickly found out i'd never seen anything quite like it. How could these nice elderly people do the things they did? It seemed so gritty and scarily realistic. They weren't zombies or vampires just normal folk. Albeit normal folk who stick hot pokers in eyes and pitchfork's into stomachs. On that level the film remains unsettling to this day. I look forward to hearing McGillivray's new Blu-ray commentary with Barry Forshaw and Kim Newman later this week. |
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If it's Old Man Chimes, then I watch his channel too. He's covered or covering the labels I followed like VIPCO Scream Time, Dead Of Night, Shameless and currently Hard Gore and AGFA
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The Fearless Vampire Killers (1967) A doddering vampire hunter (Jack MacGowran) and his useless assistant (Roman Polanski) travel to remote Transylvanian village where they find signs of vampirism. Polanski becomes enchanted by the local tavern keeper's daughter, Sarah (Sharon Tate - who wouldn't?), who is then abducted by Ferdie Mayne's Count von Krolock. Determined to save her the idiotic duo set off for the Count's castle. Jesus wept, this is one bad, bad film from director Roman Polanski. It's too stupid to be a horror and not funny enough to be a comedy in fact i never laughed once and yet being Polanski it certainly has it's plus points. The sets and locations are wonderful, all snowy and fairy tale like and remind me of Bava's The Wurdulak segment of Black Sabbath in fact the first half hour seems all too similar to have just been luck. The second half of the film again reminds me of other better movies especially Hammer's Kiss of the Vampire with the undead ball at the end which is a delight. And for all it's sumptuous Gothic trappings, MacGowran is so annoyingly silly, his and other characters buffoonery ruin what could have been a masterpiece. I should like this. I return to it every few years to give it another chance but it never gets any better. |
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