#731
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'Lola Montes' - Blu-Ray pre-order available from Amazon UK - £18.00 Release date: May 11 "Lola Montes is a visually ravishing, narratively daring dramatization of the life of the notorious courtesan and showgirl, played by Martine Carol. With his customary cinematographic flourish and, for the first time, vibrant colour, Max Ophuls charts Montès’s scandalous past through the bombastic ringmaster (Peter Ustinov) of the American circus where she ends up performing. Ophuls’s final film, Lola Montes is at once a magnificent romantic melodrama, a meditation on the lurid fascination with celebrity, and a meticulous, one-of-a-kind movie spectacle." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#732
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'Destry Rides Again' - Blu-Ray pre-order available from Amazon UK - £18.00 Release date: May 18 "MARLENE DIETRICH (Blonde Venus) and JAMES STEWART (Vertigo) ride high in this superb comedic western, both a boisterous spoof and a shining example of the genre it is having fun with. As the brawling, rough-and-tumble saloon singer Frenchy, Dietrich shed her exotic love-goddess image and launched a triumphant career comeback, while Stewart cemented his amiable everyman persona, in his first of many westerns, with a charming turn as a gun-abhorring deputy sheriff who uses his wits to bring law and order to the frontier town of Bottleneck. A sparkling script, a supporting cast of virtuoso character actors, and rollicking musical numbers — delivered with unmatched bravado by the magnetic Dietrich — come together to create an irresistible, oft-imitated marvel of studio-era craftsmanship." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#733
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'The Apu Trilogy' - Blu-Ray pre-order available from Amazon UK - £60.00 Release date: May 25 "Two decades after its original negatives were burned in a fire, SATYAJIT RAY’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world. These delicate masterworks — Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu) — based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made — essential works for any film lover. PATHER PANCHALI The release in 1955 of Satyajit Ray’s debut, Pather Panchali, introduced to the world an eloquent and important new cinematic voice. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, the Cannes-awarded Pather Panchali is an immersive cinematic experience and a film of elemental power. APARAJITO Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. APUR SANSAR By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon to be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#734
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The godzilla set appears to be back in print for anyone who couldn't get it when first released! Out of curiosity, did anyone get their copy from amazon? |
#735
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__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#736
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'Come and See' - Pre-order available from Criterion US - Blu-Ray $27.86, DVD $20.96 Release date: June 30 "This legendary film from Soviet director Elem Klimov is a senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in Belorussia, teenage Flyora (Alexei Kravchenko, in a searing depiction of anguish) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish, otherworldly intensity by Klimov’s subjective camera work and expressionistic sound design. Nearly blocked from being made by Soviet censors, who took seven years to approve its script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#737
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'Tokyo Olympiad' - Pre-order available from Criterion US - Blu-Ray $27.86, DVD $20.96 Release date: June 23 "A spectacle of magnificent proportions and remarkable intimacy, Kon Ichikawa’s Tokyo Olympiad remains one of the greatest films ever made about sports. Supervising a team of hundreds of technicians using more than a thousand cameras, Ichikawa captured the 1964 Summer Games in Tokyo in glorious widescreen images, using cutting-edge telephoto lenses and exquisite slow motion to create lyrical, idiosyncratic poetry from the athletic drama surging all around him. Drawn equally to the psychology of losers and winners—including legendary Ethiopian marathoner Abebe Bikila, who receives the film’s most exalted tribute—Ichikawa captures the triumph, passion, and suffering of competition with a singular humanistic vision, and in doing so effects a transformative influence on the art of documentary filmmaking." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#738
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'Portrait of a Lady on Fire' - Pre-order available from Criterion US - Blu-Ray $27.86, DVD $20.96 Release date: June 23 "Passion brews quietly between an artist and her subject, until they together create a space in which it can briefly flourish, in this sumptuous eighteenth-century romance from Céline Sciamma, one of contemporary French cinema’s most acclaimed auteurs. Summoned to an isolated seaside estate on a secret assignment, Marianne (Noémie Merlant) must find a way to paint a wedding portrait of Héloïse (Adèle Haenel), who is resisting chattel marriage, by furtively observing her. What unfolds in exquisite tension is an exchange of sustained gazes in which the two women come to know each other’s gestures, expressions, and bodies with rapturous intimacy, ultimately forging a subversive creative collaboration as well as a delirious romance. Charged with a yearning that almost transcends time and space, Portrait of a Lady on Fire mines the emotional and artistic possibilities that emerge when women can freely live together and look at one another in a world without men." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#739
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'The Cameraman' - Pre-order available from Criterion US - Blu-Ray $27.86, DVD $20.96 Release date: June 16 "Buster Keaton is at the peak of his slapstick powers in The Cameraman—the first film that the silent-screen legend made after signing with MGM, and his last great masterpiece. The final work over which he maintained creative control, this clever farce is the culmination of an extraordinary, decade-long run that produced some of the most innovative and enduring comedies of all time. Keaton plays a hapless newsreel cameraman desperate to impress both his new employer and his winsome office crush as he zigzags up and down Manhattan hustling for a scoop. Along the way, he goes for a swim (and winds up soaked), becomes embroiled in a Chinatown Tong War, and teams up with a memorable monkey sidekick (the famous Josephine). The marvelously inventive film-within-a-film setup allows Keaton’s imagination to run wild, yielding both sly insights into the travails of moviemaking and an emotional payoff of disarming poignancy." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#740
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'An Unmarried Woman' - Pre-order available from Criterion US - Blu-Ray $27.86, DVD $20.96 Release date: June 9 "One woman’s journey of self-discovery brings about a warmly human cultural conversation about female liberation, in this wonderfully frank, funny chronicle of changing 1970s sexual politics by Paul Mazursky. When her husband of sixteen years abruptly leaves her for a younger woman, Manhattan gallery worker Erica (a fantastic, Oscar-nominated Jill Clayburgh in her defining role) finds herself alone and adrift—but also newly empowered to explore her needs and desires as she tests the waters of a new relationship with a charismatic artist (Alan Bates). Candidly addressing issues of sex, intimacy, loneliness, and divorce from an unabashedly feminist perspective, An Unmarried Woman makes the simple but radical assertion that a woman’s most important relationship is the one she has with herself." Extra features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
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