#981
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'Cooley High' (1975) - Pre-order available from The Criterion Collection direct for DVD - $31.96 Release date: December 13 "Chicago, 1964: it’s the last weeks of high school for aspiring poet Preach (Glynn Turman) and his best friend, Cochise (Lawrence Hilton-Jacobs), and they have a full slate of extracurricular activities: swinging dance parties, late-night joyrides, and the stumbling pursuit of romance. Of course, when you’re a young Black man in America, your coming-of-age story is far from complication-free. With Cooley High, director Michael Schultz and screenwriter Eric Monte—who drew on his own experiences growing up in Chicago’s Cabrini-Green housing project—arrived at something truly unique in 1970s cinema: an endearingly funny, tender, and authentic portrait of Black teens striving toward a brighter tomorrow, brought to life by a dynamic ensemble cast and set to a heavenly hit parade of Motown classics." Special features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#982
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'The Adventures of Baron Munchausen' (1988) - Pre-order available from The Criterion Collection direct for 3 disc 4K UHD + Blu-ray Combo - $39.96 / 2 disc Blu-Ray - $31.96 Release date: January 3 "The boundless imagination of Terry Gilliam yields a dazzling fantasy of epic proportions. Inspired by the extravagant exploits of the fabled Baron Munchausen, this spectacle—born of a famously turbulent production—follows the whimsical eighteenth-century nobleman (John Neville) as he embarks on an outlandish quest that takes him from faraway lands to the moon to the belly of a sea monster and beyond, meanwhile waging battle against a vengeful sultan and the tyranny of logic. Packed frame to frame with special effects, mischievous wit, and colorful performances—including a young Sarah Polley as the Baron’s no-nonsense sidekick—the Oscar-nominated The Adventures of Baron Munchausen is a lavish celebration of the triumph of make-believe over reality." Special features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#983
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'Imitation Of Life' (1934) - Pre-order available from The Criterion Collection direct for Blu-Ray - $31.96 / DVD - $23.96 Release date: January 10 "Melodrama master John M. Stahl brings his exquisite restraint and almost spiritually pure visual style to this devastating, enduringly relevant story of mothers and daughters. Imitation of Life explores the friendship between two struggling single mothers: one (Claudette Colbert) a working-class white woman who ascends to the top of the business world, the other (Louise Beavers) her Black housekeeper, whose life is shattered by the rejection of her rebellious, white-passing daughter (Fredi Washington). It is this latter relationship—attuned to America’s bitter racial realities and heartbreakingly enacted by trailblazing Black performers Beavers and Washington—that lends the film its transcendent emotional power. This first adaptation of Fannie Hurst’s best-selling novel boldly confronts the complexities and contradictions of racial identity, economic exploitation, and the limits of the American dream." Special features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#984
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'Lars von Trier’s Europe Trilogy' - Pre-order available from The Criterion Collection direct for 3 disc Blu-Ray - $79.96 Release date: January 17 "With his dazzling first three features, Lars von Trier sought nothing less than to map the soul of Europe — its troubled past, anxious present, and uncertain future. Linked by a fascination with hypnotic states and the mesmeric possibilities of cinema, the films that make up the Europe Trilogy — The Element of Crime, Epidemic, and Europa — filter the continent’s turbulent history, guilt, and traumas through the Danish provocateur’s audacious deconstructions of genres including film noir, melodrama, horror, and science fiction. Above all, they are bravura showcases for von Trier’s hallucinatory visuals, with each shot a tour de force of technical invention and dark imagination Films In This Set The Element of Crime - 1984 Lars von Trier’s stunning debut feature is a grungily expressionistic hallucination—a trancelike trawl through fractured memories, a murder mystery, and the psychic limbo of cultural displacement. From his exile in Cairo, a former police investigator (Michael Elphick) undergoes hypnosis in order to relive his memories of Europe and his last case, for which he went to dangerous lengths to enter into the mind of and catch a serial killer targeting children. Bathed in a sulfurous yellow glow pierced only by startling flashes of electric blue and red, The Element of Crime combines hard-boiled noir, dystopian science fiction, and dazzling operatic flourishes to yield a celluloid nightmare of terrifying beauty. Epidemic - 1987 A jet-black comedy of contagion, a subversive medical-horror freak-out, and a sly metacinematic prank, Lars von Trier’s sophomore feature—born from a bet that he couldn’t make a film for less than $150,000—finds the director channeling his singular thematic obsessions into an evocatively lo-fi, perversely self-reflexive provocation. The filmmaker himself stars as a harried screenwriter whose efforts to complete a script about the outbreak of a deadly disease coincide with a grisly real-life plague. A twisted reflection on Europe’s haunted past—from the Black Death to World War II—and its scarred present, Epidemic is von Trier at his most idiosyncratic and audaciously experimental Europa - 1991 “You will now listen to my voice . . . On the count of ten you will be in Europa.” This ominous, hypnotic induction by Max von Sydow inaugurates the entrancing final installment of Lars von Trier’s Europe Trilogy. An idealistic American (Jean-Marc Barr) travels to postwar Germany to take a job as a sleeping-car conductor for the Zentropa railways—and finds himself plunged into a murky, Kafkaesque world of intrigue and betrayal where the shadow of Nazism hovers menacingly over everything. With its ravishing cinematography (in black and white, color, and at times a stunning mix of both), dreamlike use of rear projections, and lush fusion of melodrama and noir conventions, Europa is a sublimely stylized cinematic fugue."
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#985
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'This Is Not a Burial, It’s a Resurrection' (2019) - Pre-order available from The Criterion Collection direct for Blu-Ray - $31.96 / 2 disc DVD - $23.96 Release date: January 24 "With a poet’s eye for place, light, and the spiritual dimensions of everyday existence, Lemohang Jeremiah Mosese crafts a meditation on the concept of homeland and a transcendent elegy for what is lost in the name of progress. Grieving and alone following the deaths of her husband and children, elderly Mantoa (Mary Twala Mhlongo, in a soul-shaking end-of-life performance) prepares for her own death and to be buried alongside her ancestors. When plans for a new dam near her village in the landlocked kingdom of Lesotho threaten to literally wash away all she holds dear, Mantoa takes a last stand, mobilizing her neighbors to fight for their land and their way of life. The experience of watching Mosese’s visionary, much-lauded This Is Not a Burial, It’s a Resurrection is as timeless and elemental as the land itself." Special features:
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__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#986
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'Bergman Island' (2021) - Pre-order available from The Criterion Collection direct for Blu-Ray - $31.96 / 2 disc DVD - $23.96 Release date: January 31 "Writer-director Mia Hansen-Løve embarks on a luminous summertime odyssey to the home of Ingmar Bergman for her seventh feature, a graceful, shape-shifting tale about the interplay of life and art and the ways in which stories are born. In search of inspiration for their current filmmaking projects, Chris (Vicky Krieps) and her partner (Tim Roth) travel to the remote island of Fårö, Sweden, where Bergman lived and worked for decades. There, the spirit of the cinema master looms as Chris confronts her complicated relationships to work, men, motherhood, and her artistic influences. Also featuring radiant performances from Mia Wasikowska and Anders Danielsen Lie, Bergman Island is a rich deconstruction of the mysteries of the creative process and the journey that every film takes from thought to page to screen." Special features:
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__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#987
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trier's three
The lars von trier's collection the element of crime and epidemic is going to be in 3k never heard of 3k before i wonder what they will look like
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#988
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#989
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'Three Colors' - Pre-order available from The Criterion Collection direct for 6 disc 4K UHD + Blu-ray Combo - $99.96 / 3 disc Blu-Ray - $63.96 / 4 disc DVD - $63.96 Release date: February 7 "This boldly cinematic trio of stories about love and loss, from Krzysztof Kieślowski was a defining event of the art-house boom of the 1990s. The films are named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but that hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red (Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche, Julie Delpy, Irène Jacob, and Jean-Louis Trintignant, Kieślowski’s Three Colors is a benchmark of contemporary cinema." Includes: "Three Colors: Blue" - 1993 In the devastating first film of Krzysztof Kieślowski’s Three Colors trilogy, Juliette Binoche gives a tour de force performance as Julie, a woman reeling from the tragic death of her husband and young daughter. But Blue is more than just a blistering study of grief; it’s also a tale of liberation, as Julie attempts to free herself from the past while confronting truths about the life of her late husband, a composer. Shot in sapphire tones by Sławomir Idziak, and set to an extraordinary operatic score by Zbigniew Preisner, Blue is an overwhelming sensory experience. "Three Colors: White" - 1994 The most playful and also the grittiest of Krzysztof Kieślowski’s Three Colors films follows the adventures of Karol Karol (Zbigniew Zamachowski), a Polish immigrant living in France. The hapless hairdresser opts to leave Paris for his native Warsaw when his wife (Julie Delpy) sues him for divorce (her reason: their marriage was never consummated) and then frames him for arson after setting her own salon ablaze. White, which goes on to chronicle Karol’s elaborate revenge plot, manages to be both a ticklish dark comedy about the economic inequalities of Eastern and Western Europe and a sublime reverie on twisted love. "Three Colors: Red" - 1994 Krzysztof Kieślowski closes his Three Colors trilogy in grand fashion, with an incandescent meditation on fate and chance, starring Irène Jacob as a sweet-souled yet somber runway model in Geneva whose life dramatically intersects with that of a bitter retired judge, played by Jean-Louis Trintignant. Meanwhile, just down the street, a seemingly unrelated story of jealousy and betrayal unfolds. Red is an intimate look at forged connections and a splendid final statement from a remarkable filmmaker at the height of his powers."
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#990
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'Romeo And Juliet' (1968) - Pre-order available from The Criterion Collection direct for Blu-Ray - $31.96 / DVD - $23.96 Release date: February 14 (of course!) "One of the great Shakespeare adaptations, this sublime take on the Bard’s immortal romantic tragedy by Franco Zeffirelli breathed new life into the oft-told tale by casting actual teenagers in the title roles. As the young lovers whose affair threatens to inflame the tensions between their feuding families in Renaissance Verona, Olivia Hussey and Leonard Whiting vividly capture the mix of adolescent ardor and turmoil that fuels their destiny-driven liaison. A sensory banquet thanks to Nino Rota’s delicate score and the exquisite, Oscar-winning costumes and cinematography, Romeo and Juliet is Shakespeare at its most deeply felt and passionately alive." Special features:
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
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