#291
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__________________ Plutonium Shores - a journal cataloging interests, obsessions and random musings... so I don't forget. |
#292
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The problem with that film from a legal perspective is that there's barely a frame that doesn't make use of copyrighted Richard Strauss material. So determined was Russell to put the boot in to the composer that he made sure that everything Strauss uttered on screen was sourced from his own copyrighted texts - so you can't even show clips of the non-musical scenes without getting into legal difficulty. In 1988, Russell tried to clear the rights to Strauss's opera 'Salomé' in order to use an extract in Salomé's Last Dance. The Strauss estate normally has no problem with licensing such usage - as we all know from 2001: A Space Odyssey - but when they found out who the director was, they refused point blank. And that was nearly twenty years after the first and only legal screening of Dance of the Seven Veils! But Strauss died in 1949, so provided there isn't another change to EU copyright laws the film will become legal again on New Year's Day 2020. Annoyingly, it would be legal now if the term hadn't been extended in the 1990s from fifty to seventy years after the death of the creator of the copyrighted work. |
#293
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And of course we have a very similar situation with Warner Bros and The Devils. In fact, in many ways it's worse, as they own the film outright (not unreasonably, since they paid for it), and for various reasons the copyright won't expire for several more decades. At least in this case we're getting 98% of the longest version of the film, which is one hell of a lot better than the Dance of the Seven Veils situation - but it just goes to show how messily intractable things can get when the rightsholder and the artist are not only separate individuals/organisations but don't get on! |
#294
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Agreed. I was sure Scorpio Rising would never see an official release with that soundtrack but I was happily proved wrong when Fantoma put out their Anger collection. I think some of John Waters early films have problems with the songs of their soundtracks, and the DVD release of Altman's California Split had it's soundtrack tweaked for rights issues, so it's a tricky business...
__________________ Plutonium Shores - a journal cataloging interests, obsessions and random musings... so I don't forget. |
#295
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Yeah also ones from Pitchfork.com and Roger Ebert came up on my FB News Feed.
__________________ Frolic in brine, goblins be thine. |
#296
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I thought the sports guy's comments were funny when told they'd be doing a Ken Russell tribute..... 'Will you be allowed to show any? Perhaps the begining and end credits?' Russell would have loved that!
__________________ Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |
#297
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Good that they are including his first short film, 'Amelia and the Angel'.
__________________ http://subversive-horror-films.com |
#298
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And it's a really delightful little film - I know £200 stretched a lot further in 1958 than it would now, but it's still a minuscule budget for a 30-minute short, and proof of Russell's ability to create visual miracles with next to no resources. |
#299
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Just out of interest, has anyone read the Aldous Huxley novel ?
__________________ Plutonium Shores - a journal cataloging interests, obsessions and random musings... so I don't forget. |
#300
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__________________ http://subversive-horror-films.com |
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