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#1
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1. The original 111-minute British cinema version, the longest one ever passed for a commercial release. Although it was cut at the behest of both the BBFC and Warner Bros, the cuts were made by Russell and editor Michael Bradsell themselves, who signed off on the end result. 2. The 108-minute US cinema version, censored by Warner Bros without Russell's consent. Three minutes were removed, and several of the shots that were left were toned down by replacing them with more innocuous material - from what I hear (I've never been tempted to watch this version), virtually all the frontal nudity has gone, as has much of the violence. 3. The 113-minute (estimated) "director's cut", which is 98% identical to version (1), but it reincorporates the "rape of Christ" and the charred thighbone scene, both of which had long been believed lost, but which were found in Warner Bros' vaults. This version was unveiled in 2004, and has had sporadic cinema screenings (albeit projected from Digibeta) in 2004 and 2011, but has never had an official commercial release. Note that despite being dubbed a "director's cut", it's not necessarily an ideal version, as other material that Russell had to cut is genuinely believed lost. The BFI wanted to release (3), but had to make do with (1). But (1) is one hell of a lot better than (2), which is the version that's out on iTunes, YouTube and the Spanish DVD - though the latter has apparently been cut still further. And the reason that the BFI release is good news is that (1) has never been given a video release in the correct aspect ratio before - the last time, it was out on a cropped VHS, and British TV screenings have also been of this bastardised 16:9 version. Does that clear things up? |
#2
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Anyway, sounds good and this is something I'll pre-order as soon as it's available.
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#3
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I haven't read it myself, but I understand that the booklet will include an extremely detailed account of the censorship of the film, written by the BBFC's in-house historian Craig Lapper with reference to documents of the time. From what I gather, the aim is to try to create a written impression of what the original version was like - i.e. the film that almost certainly can never be reassembled, because much of the footage that was cut is assumed to have been destroyed. |
#4
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Michael, just a general thanks for taking the time to post in this thread - your posts have been fascinating and informative and made for great reading. Much appreciated !
__________________ Plutonium Shores - a journal cataloging interests, obsessions and random musings... so I don't forget. |
#5
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Was the 'Rape of Christ' scene pre-cut before its BBFC submission or was this a scene that the BBFC asked to be removed? I really don't get Warners attitude to this film. Surely someone at WB read the script before greenlighting finance for the project? During this period Warners seemed to take exception to some films they themselves had financed, which is rather silly. William Friedkin tells the story of the Warner Bros execs being shown The Exorcist and they were horrified and Friedkin replied with something along the lines of 'Well, sorry, but this is the film you asked me to make.' There's no accounting for Hollywood, I guess.
__________________ Sent from my Hoover using the power of Uri Gellar |
#6
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I can't help but think that I like Ken Russell himself more than his films. I've liked many of his films but nowhere near as much as many of you seem to do! At the risk of aerial bombardment I don't think The Devils is the classic many make out. It's pretty good, but I don't think it's an all-timer or anything. And I still don't see the problem with BFI's covers! ![]() |
#7
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I think that by 1971 with the raising of the age of the 'X' cert to 18 from 16 the BBFC had more leeway - but I guess at the time the Blasphemy Laws were still being imposed (re The Rape of Christ scene) and I think that the scene with the burnt thigh bone was still too much for the censor.
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#8
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I'm at work now so I don't have it on hand, but there's a lot of good stuff about filming The Devils in Derek Jarman's memoir Dancing Ledge, much more so than Russell's own autobiography... Even if Warners had seen a threatment for the Rape of Christ sequence, nothing quite prepares you for the way Russell shot the sequence - hyper is probably the best word for it...
__________________ Plutonium Shores - a journal cataloging interests, obsessions and random musings... so I don't forget. |
#10
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__________________ ![]() Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |
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