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The Last Exorcism (2010) Cotton Marcus (Patrick Fabian) is something of a phoney evangelical preacher who really doesn't have any faith and simply sees himself as providing a service to those that do believe. He allows himself to be filmed as he goes about his daily life and when he is called upon to perform an exorcism, the film crew go with him to film it. Thinking it'll just be a routine case of doing some theatrics and 'exorcising' the young girl - if she believes she's been exorcised, she'll be alright - Cotton launches into his preacher mode to 'cure' the girl. At least that's Cotton's reasoning. But he soon discovers that things might not be quite what they appear to be. The ending is thoroughly stupid, but up until that point it's an interesting look at the role of religion in society and how some people peddle it and some people swallow it. The ending ruined all of that, unfortunately. Take off that ending and you'd have something that's a little bit different but very thought-provoking. Not bad, but hated the ending. Make Mine a Million (1959) Arthur Ashton (Arthur Askey) works at the National Television Service as a make-up man. He is approached by Sid Gibson (Sid James) about promoting his soap powder. Problem is, the TV station is non-commercial, but Arthur hatches a plot to sneak in some advertising. Enjoyable Brit romp from the golden age of British cinema and I had a thoroughly good time. Wasn't sure what I'd make of Askey all these years later, but I found myself chuckling along. The humour is dated, but I liked it all the same - especially when he proclaims the soap really does make everything white and a black woman pops up Certainly no political correctness going on here. Really enjoyed this one - and, of course, Sid James is always a joy to watch. 'You can cut out that continental stuff!' Kick Ass (2010) - Dave Lizewski (Aaron Johnson) is determined to become a superhero....only he's not very good at it. He names himself Kick Ass and soon encounters a young girl who really can kick ass and it's frenetic action all the way. The film moves along at a breakneck pace and is never dull. I thought this was brilliant and I'll definitely have to revisit this one. Mystery of the Wax Museum (1933) - Lionel Atwill is Ivan Igor, wax sculptor. When his business partner decides the business is running at a loss he sets fire to the wax museum - with Ivan trapped inside. But Ivan survives the fire and relocates and re-opens his wax museum - only this time he's using corpses! This is a real curio as it's one of the very earliest films to use a colour process. The colouring is decidely muted, but adds an extra dimension. It's a good enough film with or without it, but it does increase its historical importance. The scenes with Atwill creeping about without his mask on, showing his fire-scarred face are extremely effective and creepy. If you haven't seen this, it's tucked away as an extra on the 1953 House of Wax DVD. Well worth checking out. The Imaginarium of Dr Parnassus (2009) - Caught this on a Blu-ray rental. Looks very nice, good transfer. Fairly impressive cast and some inventive set design. Now, if someone would just tell me what the **** it all means, I'd be very grateful. Self-indulgent nonsense, really. The Silencers (1966) - Dean Martin is Matt Helm, superagent. He's called in to tackle a madman (the portly Victor Buono) who is threatening to start WW3. This should have been a great film, but sadly it comes off as a bit of a pale imitation of the Flint movies, which did the spy spoof thing so much better. Dean Martin is no James Coburn, that's for sure. Coburn does sauve so much better. Still, there was the sight of the lovely Daliah Lavi to behold, so it ain't all bad. I'll certainly check out the rest of the Helm series, they may get better....or worse! Sex and Drugs and Rock & Roll (2010) - Andy Serkis plays Ian Dury and is pure shining brilliance in the role, he had Dury down to a tee. The film is as madcap as Dury's life was, showing his struggles against his disability whilst ultimately triumphing - albeit through a haze of sex and drugs (not that that's a bad thing, in my book It's all superbly done and I had a thoroughly good time. The genius of the film is that it never plays for sympathy, but is more of a celebration of Dury's unique talent. I don't imagine this film would export well, though, it's a decidedly British film about eccentric British musicians. I thought it was great. Home of the Brave (2009) - Caught this on a Blu-ray rental and it's...alright. Nothing we haven't seen before. The film shows the struggles of Iraq vets returning home to America and their struggles to re-adjust. Personally, I don't get it. If you enlist to become a soldier you know you're ultimately being trained for war - so why do they whine when the enemy fires at guns at them? I mean, it's their job, isn't it? Oh well...whatever. It's a passable human drama, but not one I could recommend, unfortunately. Shame, as the opening scenes in Iraq are very effective. Jeremiah Johnson (1972) - Robert redford stars as Jeremiah Johnson, a former army man who decides to head into the mountains and live off the land. He meets some oddball characters along the way and learns all the tricks of the trade. He even ends up with an initially unwanted Squaw wife and an adopted son. But when he crosses the Indian Crows, they kill his family and he becomes embittered, seeking revenge on this tribe at every opportunity. But he soon finds his way again, and the ending was just perfect. Understated but full of meaning. When the Indian raises his hand at Johnson in a sign of peace, you know his lust for revenge is over. The film is positively packed with stunning scenery and director Pollack really does capture the awe of life as a pioneer on the wild frontier. Absolutely loved this and can't believe I've never seen it. Shame on me, but at least now I've discovered it and I will definitely give this a revisit in a couple of years' time. Harry Brown (2009) - Michael Caine is Harry Brown. That should be recommendation enough, but I'll write some more. Harry is a lonely man after his ageing wife dies and all he has left is his old friend Leonard Atwell. When Len is killed by thugs on the local run-down estate, Harry goes into vigilante mode, seeking justice for his old friend. I thoroughly enjoyed this and the tale is told so believably that you can't help but be sucked into this violent and vicious world of the underclass. Caine is on top form and acts his socks off. Absolutely brilliant. If you haven't seen this, do so at the earliest opportunity! Theater of Blood (1973) - With an ever growing pile of films to watch, I felt a bit guilty giving this a re-watch, but I just couldn't resist it. Vincent Price plays Edward Lionheart, an embittered actor who seeks vengeance on the critics who continually gave him bad reviews - by dispatching them using methods from Shakespeare plays. It's brilliantly entertaining stuff - all very tongue-in-cheek with constant winks to the viewer. Despite the lighthearted tone, there's still some grim and grisly stuff contained within, but you can't help chuckling to yourself. Price is supported by a bevy of British talent including Jack Hawkins, Arthur Lowe, Madeline Smith, Diana Rigg, Michael Hordern, Dennis Price, Robert Morley, Ian Hendry, Diana Dors, Eric Sykes and Milo O'Shea. How can you go wrong with a cast like that? District 13: Ultimatum (2009) - Pretty much a bit of a retread of the first film - that is to say, lots of athletic people talk French and run around a lot. This time around some corrupt cops kill some other cops and try and frame the inhabitants of District 13 for it. Cue lots of shooting, violence and people running and jumping. Paradise Lost (2006) - A group of holidaymakers in Brazil get stranded and find themselves at the mercy of some sinister locals. A nice central idea, but it's mostly derivative and predictable nonsense. This is definitely from the Hostel school of filmmaking and simply replaces the central theme with something a little different. It was alright but nothing special. If you've seen Hostel then you'll kind of know what to expect. Companeros (1970) - Tomas Milian, Franco Nero and Jack Palance in a spaghetti western, what more recommendation do you need? Okay, Palance has a false hand and a pet bird. There, now you really want to see it, don't you? Fate brings together Yodlaf Peterson (Franco Nero) and El Vasco (Tomas Milian) who must seek out the elusive Professor Xantos, but John (Jack Palance) is hot on their trail, as he wants to kill Xantos. It's all good fun and I really enjoyed it. Recommended. Definitely one of the great spaghetti westerns. Fortress (1992) - John Brennick (Christopher Lambert) and his wife commit a crime in a futuristic world. Their crime is to conceive a second child, which is forbidden by the State, and they are arrested and imprisoned within the titular Fortress. Brennick, of course, is having none of it and immediately hatches an escape plan. It's all good, harmless fun and Stuart Gordon directs with a sure hand. I enjoyed revisiting this one again almost 20 years later (has it really been that long?). But one question: if this is their second child, what happened to the first one? The Mole People (1956) - Explorers discover an underground world where a mutated form of human has evolved. It's all typically wacky 50's sci-fi and the actual Mole People (slaves to the mutant humans) are brilliantly realised. Really enjoyed this one, even though it made very little sense! Monsters (2010) - This film made me want to smash the house up. It made me furious. Basically, in a near-future America, a space probe crashes and brings with it alien lifeforms. This area is designated a no-go zone. But a news photographer is charged with getting his boss's daughter safely from Mexico to the USA, which means travelling through the alien zone. Sounds good, yeah? It's not. It's like some ****ing holiday show, all they do is travel. Nothing happens. Nothing. It''s just talking, travelling, more travelling, more drab conversation. To say this film is slightly boring is like saying Hitler was a tiny bit racist. It's boring on a momentous scale. It's monotous, slow, boring, tedious, sleep-inducing wank. Hated this. I got to the end and I was angry - is that it? Okay, so we get a bit at the end with aliens, which basically just float in the sky for a bit, then float away. ****ing great, and that's all we're gonna get? I mean, I get that the film is built on subtlety and understatement, but this is taking that style to ridiculous lengths. The plot just falls apart at every turn - like, the guy has PAID for an armed escort then gets all shirty when they turn up with guns. ****ing hell, that's what you ****ing asked for! I hated this film so much I'm going to cremate the DVD and hunt down the filmmakers and torture them. I've finally found a film that I hate more than The Blair Witch Project.
__________________ Sent from my Hoover using the power of Uri Gellar |
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Brilliant reviews Daemonia. I saw Jeremiah Johnson for the first time last year and thought it was absolutely superb. I'd sort of avoided it in the past, don't know why really though. I'd also been told Gamer was terrible and waited till i could get it for 1p on Amazon, i too really enjoyed it, great action film. Bring em' Hell Malone was also very good, seen it a couple of times now and enjoyed it immensly. |
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So, no, I'm not afraid to trash the film. And even though I recognise the craftsmanship of it being pretty much a one-man-show, that doesn't mean I have to like it.
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But being the big sap that I am I thought it was superbly performed and incredibly well made on such a miniscule budget. A real triumph of guerilla film making. Many people have commented on the apparently obvious political metaphors, but it's interesting when Gareth Edwards was interviewed that the metaphors and allegories that he had in mind were more about the Afghan conflict and not illegal immigration into the United States. The two leads are a real life couple and this added some hefty emotional punch to the proceedings as well I thought. And that last scene in the store - phew, it really blew me away. I agree that the marketing for this movie has been very misguided, but I actually like the fact that the title is very far removed from what people's expectations are - I mean no-one moaned that there were no reservoirs or dogs in Tarantino's debut. Obtuse titles aside I think it's a formidable debut and I'm very interested to see what he does with Godzilla (man in a suit apparently!).
__________________ My podcasts: http://www.midnight-video.com/ and http://c90sessions.blogspot.com/ Midnight Video 26: The Great Silence, My Favourite Year and Brain Damage |
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Kim Chapiron's debut Sheitan or Satan is well worth checking out too. Vincent Cassel steals the show as a loony inbred farmer and the plot is somewhat derivative of countless teens in peril flicks, but it's really quite a lot of fun.
__________________ My podcasts: http://www.midnight-video.com/ and http://c90sessions.blogspot.com/ Midnight Video 26: The Great Silence, My Favourite Year and Brain Damage |
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__________________ A Night of living terror led to a Dawn of false hope but nothing before will prepare you for the darkest Day the world has ever known Check out my wife and I's new travel blog www.wepackedourbags.com My entire Blu Collection for sale: https://www.cult-labs.com/forums/dvd...tion-sale.html |
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__________________ Sent from my Hoover using the power of Uri Gellar |
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