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  #32531  
Old 8th May 2015, 03:55 PM
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What I lack in knowledge about film I make up for with great knowledge about erm tits yeah thats it

Everyone's got to have a 'specialist subject' I guess!
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  #32532  
Old 8th May 2015, 04:11 PM
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Everyone's got to have a 'specialist subject' I guess!
You know how the saying goes. When in doubt TITS

Sorry
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  #32533  
Old 8th May 2015, 04:14 PM
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Originally Posted by bizarre_eye@Cult Labs View Post
There are plenty of great directors pumping both innovation and passion into their craft - just look at some of the great horror films that we have enjoyed within the current decade alone: Berberian Sound Studio, Beyond the Black Rainbow, Cold Fish, Dream Home, Father's Day, Here Comes the Devil, I Saw the Devil, John Dies at the End, Julia's Eyes, Kill List, The Loved Ones, Lovely Molly, Maniac, Only Lovers Left Alive, Stoker, Tucker & Dale...(obviously this is a subjective list as it comprises of films that I personally consider to be 'great').

Unfortunately, Roth isn't one of them and instead thinks taking a tried and tested plot idea and adding loads of swearing, gore and pop culture references makes for a one hell of a 'cool' film. Tarantino also does this, but arguably to better effect as at least he has some skill behind the camera... I find that his films are also helped massively by the editing (and often the cast) too.

Horror is far from dead, but there are too many over-promoted lime-light hogging hacks (e.g. Roth, West, Wingard, Zombie) who perhaps push some of the more talented and more interesting directors into the background.

I guess it comes down to personal taste though. Roth's films have their audience, and are generally geared towards the US teen market with their appetite for cheap thrills, gore and tits. Despite the fact that certain sub-genres always seem to remain popular, horror audiences change and the films change with them.
Couldn't agree more. Anthony DiBlasi is one of those great directors who don't get a fair shake of the limelight. Dread (2009) for example, has plenty of gore, but a depth to it and is one of my favourites of recent years.
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  #32534  
Old 8th May 2015, 04:21 PM
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Originally Posted by Nordicdusk View Post
I was getting worried there for a minute I was thinking this place has changed

What I lack in knowledge about film I make up for with great knowledge about erm tits yeah thats it

You'd better head over to the Guess the Movie Game i think.
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  #32535  
Old 8th May 2015, 04:26 PM
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Originally Posted by Nordicdusk View Post
I was getting worried there for a minute I was thinking this place has changed

What I lack in knowledge about film I make up for with great knowledge about erm tits yeah thats it

Name the species:
Attached Images
File Type: jpg Tit.jpg (75.9 KB, 0 views)
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  #32536  
Old 8th May 2015, 04:50 PM
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hi guys, just watched "beyond the darkness".
found it o.k,but nothing special.
I own the uncut version, but cant really see what would be cut from it.
I know people on here most likely love it,but it just wasn't for me.

thanks
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  #32537  
Old 8th May 2015, 06:44 PM
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Originally Posted by Demdike@Cult Labs View Post
That's the problem or a problem with horror fans. We refuse to embrace new directors, and slam the older directors still working for producing shite far removed from their glory days. Are we really stuck in such a bubble?

Discuss.
I have a legitimate issue with Eli Roth - He isn't a filmmaker. we only know about him because Quentin Tarentino wanted us too... Eli didn't make three films on his own as a film pioneer of the likes of speilburg, he had help from a series of fortunate and extremyl rich film-maker friends and the most influencial of them all was and still is Tarentino... Eli didn't break into the industry like Peter Jackson... hard work, actual script writing skills, actual camera and directorial and editorail skills. He had Quentin helping out with baby steps all the way from script to editing.... so Eli Roths films aren't really his films so it's okay to critisize his technique and scripts. Now i guess he has picked up all he needs to know, to churn out films but when he started out, people assumed and worshiped him for being some film god but he wasn't and i'd say still isn't. Screw Eli!
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  #32538  
Old 8th May 2015, 06:47 PM
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Last movie I saw was Furious 7 at the cinema
watched it in 4DX.. smoke, water flying everywhere, and the seats rocking side to side lol good fun
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  #32539  
Old 8th May 2015, 07:45 PM
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Originally Posted by Nosferatu@Cult Labs View Post
Name the species:
Ole mister blue tits.
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  #32540  
Old 8th May 2015, 07:48 PM
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Originally Posted by Vipp View Post
I have a legitimate issue with Eli Roth - He isn't a filmmaker. we only know about him because Quentin Tarentino wanted us too... Eli didn't make three films on his own as a film pioneer of the likes of speilburg, he had help from a series of fortunate and extremyl rich film-maker friends and the most influencial of them all was and still is Tarentino... Eli didn't break into the industry like Peter Jackson... hard work, actual script writing skills, actual camera and directorial and editorail skills. He had Quentin helping out with baby steps all the way from script to editing.... so Eli Roths films aren't really his films so it's okay to critisize his technique and scripts. Now i guess he has picked up all he needs to know, to churn out films but when he started out, people assumed and worshiped him for being some film god but he wasn't and i'd say still isn't. Screw Eli!
Did you like Clown?
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