12th July 2015, 10:10 AM
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| Cultist on the Rampage | | Join Date: May 2011 Location: Leeds, UK | |
MARTYRS – Riding the crest of that mid-noughties wave of French splatter, 'Martyrs' split audiences and worried horror fans with its incessant brutality and life-sucking bleakness when it landed back in 2008. That's how I remember it, anyway. Watching it again the other day, I was reminded that 'Martyrs' explores much more interesting material than the 'torture porn' it seems to play on. It starts with a girl who escapes the cloistral chamber of some unknown assailants, then, years later, aided by a pal from her orphanage, goes on to track down her tormentors. Things get heavy at the middle class household they invade, and soon she's being pursued and slashed at by a 'demon' / hallucination(?) from her past. The narrative shifts when all this ends in carnage and her accomplice is left to deal with a religious cult which is bent on divining the afterlife through extreme physical deprivation, and we get to witness some intense scenes. The violence is pretty full-on throughout 'Martyrs', the tone is harsh and the mood is hopeless, but the film, in keeping with the gradual dawning of its central theme, is in a constant state of transformation. The last, metaphysical section of 'Martyrs' has a slightly Clive Barkeresque feel to it, and feels a long way from the buddy crime-splatter home invasion from the first half hour. It's to Pascal Laugier's credit that these shifts and switches in the narrative don't feel jarring or grating. Though I suppose 'grating' pretty much summed up 'Martyrs' for a lot of people at the time. It still has a reputation in some places for being one of those films which are gruelling beyond any sensible measure, a movie that will ravage the emotions of anyone with a shred of humanity. And of course, it's neither of these things. Films which chart extremity will inevitably fall victim to hyperbole (or dismissal), and that's what happened to 'Martyrs', a fairly brutal, exacting film which asks some interesting questions. But it remains too tied to genre giveaways (particularly in the first half) to truly wrong foot the audience and rear up like the beast it maybe wants to be. Still, 'Martyrs' is definitely recommended and remains one of the highlights of French New Extremity, if not of noughties horror as a whole.
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