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Everybody Wants Some!! (2016) **** out of *****
__________________ My articles @ Dread Central and Diabolique Magazine In-depth analysis on horror, exploitation, and other shocking cinema @ Cinematic Shocks |
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Friday the 13th (2009) **1/2 out of *****
__________________ My articles @ Dread Central and Diabolique Magazine In-depth analysis on horror, exploitation, and other shocking cinema @ Cinematic Shocks |
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BASTARD – A honeymooning couple pick up a pair of runaways en route to a guest house where a slasher in a porceleine child mask lurks with an axe... sound familiar? Sound like another soon-to-be poundland pick up with little to add to a dead genre beyond a few lame one liners and some intestinal spillage? Sort of. But 'Bastard' has a real attitude. Take those honeymooners. They're not regular honeymooners, they're serial killers who've just tied the knot... yeah, around someone's throat etc etc. As horrible degenerates they're actually quite versatile – they're hep enough to not only murder people on a whim and get away with it, but to play in a band called 'The Royal Cun*s'. 'Bastard' was obviously made by hipsters just out of filmschool who hoped that by staking a claim and proving their slickness they might accidentally do something a bit rad within the genre. Frustrating for some, but maybe that's a good thing. There's not much ambition going down these days. As far as that applies to 'Bastard', there is some imagination at work, and a willingness to take risks. The whole slasher killer angle is something of a red herring, and once the film gets going and starts to boil (unfortunately, it takes a while) it blossoms into something quite twisted and uncomfortable, the last twenty minutes or so being a whirl of hysteria and dark scenes. I won't ruin it, but the whole question of how best to raise an infant whose dad was a serial killer is approached with gloves off. Before this, there is build up, a touch of family drama, and the whole decoy slasher thing. You could take a step back from 'Bastard' and say that it never quite gels. Equally, pace is an issue. It's not slow, but for a film which is only just over seventy minutes long I was kind of waiting around for the grimness to kick in, even though it's pretty cynical from the outset. A mixed bag which left me with mixed feelings, but on balance 'Bastard' won me over with its nasty edge.
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David Brent: Life on the road Your enjoyment of life on the road will be determined by how much (or little) you enjoyed the office and enjoy Ricky Gervaises brand of humour. The cringe factor is going full bore as Brent takes unpaid leave from work, cashes in all his pensions and funds a three week tour of the UK with his band that pretty much involves empty or half-empty gigs in the reading area. I enjoyed it, the songs are so mind numbingly insensitve that they become genuinely hysterical including a plea to not hate the disabled that is jaw-droppingly offensive and a song for a dying child at christmas that becomes dark as f***. I'm certain a portion of the audience will hate it, humor is always subjective but to its credit the film also does a great job of peeling away the surface layers of Brents character to actually deliver some genuine pathos and sympathy to a character who in lesser hands would simply be an object of hate or derision. Robot Jox One of my friends who came to the cinema admitted to having not seen thsi so I held a little midnight screening. In spite of the films budgetry limitations its a solid piece of entertainment with a great plot and the robot fights still hold up even in the wake of films like pacific rim. |
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The Slayer (1982) *** out of *****
__________________ My articles @ Dread Central and Diabolique Magazine In-depth analysis on horror, exploitation, and other shocking cinema @ Cinematic Shocks |
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