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![]() The Vampire Is Still Alive (1989, Godfrey Ho) Ostensibly a "sequel" to Robo Vampire ![]() When two movie sorts accidentally disturb a Taoist ritual, their weekend doesn't go to plan. In the Hoverse, time and space swap places, logic flies out the window and language ceases to have meaning. Or something. Features a sequence that puts it up there with Xtro, It's Alive! and Men ![]() Ahem.
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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__________________ ![]() Triumphant sight on a northern sky |
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![]() A Taste of Blood (1967) Synopsis from Wiki seeing as i can't be bothered to write one Quote:
The Gruesome Twosome (1967) Mrs. Pringle and her mentally disabled son run a wig shop. The question is where do they get the hair for their products? A lot more fun than A Taste of Blood, and thankfully fifty minutes shorter too. This has some genuinely great and gross gore especially the opening scalping which the camera takes slow delight in lingering on. I laughed at one point when 'crazy son' pulls a girls liver out from below her belt buckle. A bit of basic biology might have been helpful in the realism stakes, Herschell. |
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![]() FIREFOX Clint Eastwood’s Firefox is a generic spy techno-thriller that lumps the political exposition of Robert Ludlum with the techno fetishism of Tom Clancy (admittedly, Clancy had yet to debut as a novelist). What it lacks is the flair of Ian Fleming, or the heart of John LeCarre. Maybe I was high on cleaning fluids (I just finished my period of isolation, and sterilized my flat), but I was so engrossed in the film that I forgot about my glass of ale. Firefox is the type of film we used to take for granted – a genre exercise directed with solid craftsmanship. Watching Clint hide out in a Moscow Metro train commanded my attention. That’s Clint on a real train, doing laps around real metro stations, all lit up with actual lighting. Even when Clint skulks to a bathroom, you know the filmmakers searched up and down the city (Vienna) to find a location that matched the requirements of shooting, as well the tone. Also, being a film from that era, it takes time to breathe. Granted, the exposition scenes ramble on far too long (I get it – Russia built a superjet!), but Eastwood includes little character moments that give him and his cast something to sink their teeth into. The film is complimented by some gorgeous anamorphic photography, and Maurice Jarre’s score sounds a little Superman-ish, but the visual effects by John Dykstra are a letdown. The filmmakers are trying to replicate the dogfights from Star Wars, but where Star Wars’s battles take place against the black void of space, Firefox throws its action against cloudy skies, snowy mountains, or sparkling daytime oceans. The black matte lines become way too obvious. There are some cool bits though, such as the experimental jets’ supersonic waves tearing the ocean or rapidly evaporating the snow into mist. Firefox is film with not much worth talking about, but shows how much we have lost. I saw this many years ago and was bored senseless. Now, I found it to be an enjoyable afternoon timewaster. Definitely worth a gander whenever it pops up on ITV.
__________________ "We're outgunned, and undermanned. But, you know somethin'? We're gonna win. You know why? Superior attitude. Superior state of mind." ![]() |
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__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
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I been watching a few comedies like Harold and Kumar, Tropic Thunder, Stir Crazy Trading Places. Also watched the Prestige for the first time since it came out and Clints final western Unforgiven.
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![]() Cameron's Closet. 1988. A father experiments with his son's psychokinetic abilities and unleashes a demon that wants to possess his body. I hadn't seen this film since I rented it back in the day, written by Gary Brander of The Howling to create a movie with the Monster in the closet spook era that scares young kids. It has one or two decent deaths with Tab Hunter and Gary Hudson, the gore and blood are very lacky with some predictable so called jump scares. The acting is very 80s cheese fest but decent enough, only snag is the ending the monster really doesn't do much and seems very rubbery but it was enjoyable to see it again. 6758-cameron-s-closet-0-230-0-345-crop.jpg
__________________ " I have seen trees that look like tortured souls" |
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