| ||||
Sliver. 1993. Sharon Stone moved on from her psycho killer Catherine Tremell role to a shy innocent Carly who has moved to a luxurious apartment building with friendly William Baldwin as the building owner who owns a CCTV system that most people can only dream viewing. Tom Berenger stars as the guy who appears as the over friendly who likes to be everywhere and stalks the pretty ones. This seemed to be hated by a lot when it first came out and although I haven't viewed this film a lot it does have its plot twists and plot holes, it is enjoyable. images (1).jpeg
__________________ " I have seen trees that look like tortured souls" |
| ||||
Quote:
Poor Nancy! Love this film, it used to be the family Christmas movie in our house growing up.
__________________ Triumphant sight on a northern sky |
| ||||
The Banshees of Inisherin (2022) ★★★★★ Bleak, uncomfortable, and grotesquely funny, this jet black comedy-drama is one of the best acted and beautifully filmed movies I've seen this year. It's not a laugh-out-loud black comedy like In Bruges, Martin McDonagh's previous collaboration with Colin Farrell and Brendan Gleeson, but a metaphorical tragicomedy with echoes of the Irish Civil War and midlife crises. I don't think this will be for everyone as it will certainly test the patience of some viewers, but I thought it was a compelling and weirdly amusing film I'll be sure to buy when it's released for home viewing later this year. I hope there is a very good 4K Ultra HD release to do the outstanding cinematography and period design justice.
__________________ Last edited by Nosferatu@Cult Labs; 29th December 2022 at 06:44 PM. |
| ||||
Strange World (2022) ★★½ This should be applauded for its visuals, willingness to tackle important issues, and on-screen representation, becoming the first Disney film with an openly LGBT+ main character. However, even by Avatar's standards, the story was clumsy and derivative, with an environmental message that should have been subtle but felt heavy-handed.
__________________ Last edited by Nosferatu@Cult Labs; 29th December 2022 at 06:45 PM. |
| ||||
Fantastic Beasts: The Secrets of Dumbledore (2022) ★★ I hoped this would be an improvement on The Crimes of Grindelwald, a convoluted mess that failed to live up to the genuine excitement and innovative world-building of the first endless franchise. My hopes were dashed by the halfway point because I found it to be equally unfocused, overcomplicated, and superficial. There are positives: Mads Mikkelsen is a good Grindelwald, probably more nuanced and believable than the Johnny Depp-portrayed one in its predecessor, and, again, Jude Law is solid as Albus Dumbledore. The relationship between the two master magicians and former lovers relegates Eddie Redmayne's Newt Scamander to supporting cast territory, which is a shame because he's involved in the film's only genuine highlight: a subterranean dance-off with an enormous crustacean. If they decide to make another one to bridge the gap between this series and the Harry Potter one, I'll probably watch it, but I won't be rushing out to see it in the cinema on opening day.
__________________ |
| ||||
King Richard (2021) ★★★½ Considering this is based on real people and real events, this is a surprisingly gripping portrayal of Venus and Serena Williams' rise to fame and how their father's guidance and (occasionally) unorthodox training methods helped to create two of the greatest tennis players of all time. Firestarter (2022) ★★ I haven't seen the 1984 adaptation of Stephen King's novel of the same name, but it must be better than this.
__________________ Last edited by Nosferatu@Cult Labs; 29th December 2022 at 06:47 PM. |
| ||||
The Many Saints of Newark (2021) ★★★★ As it's one of my favourite TV shows, a masterpiece of storytelling which included everything that needed to be said, I've never wanted a film prequel of The Sopranos but, now there is one, I wanted to see it. Thankfully, though restricted by the relatively short format that a feature film (rather than a multiple season TV series) has, it never disappoints. I loved the framing device of Christopher Moltisante's (Michael Imperioli) off-screen narration talking about his cousin Tony, a character superbly essayed by the late, great James Gandolfi's real-life son, Michael. Corey Stoll equally oppresses as the younger Corrado 'Junior' Soprano, and the moment when he falls and yells out the brilliant profanity "your sister's c**t" was eerily reminiscent of Dominic Chianese's delivery of the same line when Junior slips and falls in the shower. Not only is this very well cast, the story is as good as I expected from a screenplay by David Chase and Lawrence Konner, as it effortlessly weaves a coherent narrative and enhances the links between the members of the DiMeo crime family. I don't think it's as good as peak Sopranos, an episode like College, but few films or TV episodes are. David Chase set an almost impossible benchmark with that series and this is good enough to satisfy a fan like me and stand as a very good gangster movie in its own right. I'll definitely add this to my 4K collection in the near future.
__________________ |
Like this? Share it using the links below! |
| |