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Not totally swooning or becoming detached from reality but seeing a piece of art and being overwhelmed by it, to the point where you think you need to move on as your brain is spinning out. Some obvious ones were optical art, others were just being confronted by a picture that enraptured me, there was a extra large one by Titian that he did when his sight was going and the looseness of it caught me in a spell, seeing a Francis Bacon picture that made me recollect my childhood, or just being caught up in brushstrokes. Maybe this is why i've always liked Dario's film and think it's one of his better later films. You can't deny that art played a massive part in his earlier films, the gallery in Bird with a crystal Plumage, the Deep Red painting reveal of the killer, The sculpture at the end of Tenebrae. That's why to me Stendahl seems like an important Argento film, it's more personal even if it doesn't always work at times.
__________________ MIKE: I've got it! Peter Cushing! We've got to drive a stake through his heart! VYVYAN: Great! I'll get the car! NEIL: I'll get a cushion. |
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Ah right - I was under the impression this was an extended scene. The back of the Blu ray states “now scanned in 2k from the original negative with additional elements from a recently discovered 35mm vault print - including the uncut psychedelic orgy sequence - for the first time ever” .
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Does he feature on any of the extras on your Blu...if there are any? |
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I?ve watched all the extras ( bar the commentaries ) and found them all very informative and entertaining. |
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Is it Severin? Here's the dvd spec from DvdCompare Quote:
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Two Orphan Vampires (1997) Two teenage girls, both of whom are blind by day, go to stay with a doctor who is investigating their problem, but when the sun goes down, they roam the streets and graveyards to quench their thirst for blood. Two Orphan Vampires is almost a companion piece to Rollin's 1973 film The Iron Rose thanks to it's non-reliance on the usual Rollin tropes of nudity and bloodshed of which there's very little here. It's the lengthy cemetery scenes that remind of The Iron Rose and it's here that Rollin comes into his own. He allows his camera to linger lovingly among the graves often pausing to study specific aspects of the chilling surroundings - gravestones, iron railings etc. here Rollin uses the cemetery as an extra character, creating a wonderfully atmospheric ambience as the girls skip along the cold gravestones. The overall effect makes Two Orphan Vampires play in the realms of a surreal adult fairy tale. As well as The Iron Rose the film does seem to use the same locations away from the graves as his earlier film Lost in New York, even the same railway sidings, it's this familiarity together with the obligatory cameo from Brigitte Lahaie that makes Two Orphan Vampires feel like a Rollin greatest hits movie. Finally a special mention to debutants Isabelle Teboul and Alexandra Pic as the orphans. Unknown then and unknown now but both quite remarkable in this. |
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I watched two Friday the 13th films back-to back, New Blood and Jason Takes Manhattan. Picked up the UK F13th blu-ray set just for those 2 films (I already owned bds of the others). Watched with headphones whilst my wife was reading in the back of the room - we usually have similar tastes but I think Peggy would struggle with 3+ hours of Friday the 13th on just one afternoon. I've always seen these as two lesser entries in the franchise but I had great fun revisiting them. The big surprise was Jason Takes Manhattan, I've previously been very dismissive of it but today, I had a great time with it, really enjoyed myself.
__________________ PSN user name: suspiria-inferno Xbox user name: suspiria742952 |
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I’d never seen any of the films on this set before! ( apart from a crappy truncated BLOOD SUCKERS dvd from years ago ). The Cushing BBC Sherlock Holmes episodes have been great too. Definitely recommended. |
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