#1771
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Quote:
From the trailer it does look to be a case of if you like the series then you'll like the film. |
#1773
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The Daily Mail gave Tarantino's new film, Once Upon a Time in Hollywood, five stars, following it's premier at Cannes, saying it's his best since Pulp Fiction. https://www.dailymail.co.uk/tvshowbi...p-Fiction.html |
#1774
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I’m not clicking on that link because I don’t want shit on my iPad, but I’ve read a few other reviews that are praising the film, can’t wait to see it in August
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
#1775
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#1776
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Only Tarantino film I’m not overly keen on is Death Proof, compared to his other films it’s just a bit boring, especially the scene with Zöe Bell riding the bonnet of the car for 3 hours
__________________ If I'm curt with you it's because time is a factor. I think fast, I talk fast and I need you guys to act fast if you wanna get out of this. So, pretty please... with sugar on top. Clean the ****ing car! |
#1777
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I really liked The Hateful 8, thought Django was good but the constant racism was just too much, Death Proof gets better with each watch. It's Kill Bill Vol 2 which i'm not keen on so much. |
#1778
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Could have been worse. It could have been Jamie Bell. |
#1779
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Just couldn't get into Django for some reason, and found hateful 8 quite dull, shame because it was beautifully shot. Not in anyway way saying there rubbish I just couldn't take to them but at same time can tell all the effort put into to them tho.
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#1780
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Quote:
"Quentin Tarantino’s exploitation black-comedy thriller Once Upon a Time … in Hollywood finds a pulp-fictionally redemptive take on the Manson nightmare in late-60s California: a B-movie loser’s state of grace. It’s shocking, gripping, dazzlingly shot in the celluloid-primary colours of sky blue and sunset gold: colours with the warmth that Mama Cass sang about. The Los Angeles of 1969 is recovered with all Tarantino’s habitual intensity and delirious, hysterical connoisseurship of pop culture detail. But there’s something new here: not just erotic cinephilia, but TV-philia, an intense awareness of the small screen background to everyone’s lives. Opinions are going to divide about this film’s startling and spectacularly provocative ending, which Tarantino is concerned to keep secret and which I have no intention of revealing here. But certainly any ostensible error of taste is nothing like, say, those in the much admired Inglourious Basterds. And maybe worrying about taste is to miss the point of this bizarre Jacobean horror fantasy." https://www.theguardian.com/film/201...-dicaprio-pitt The new trailer:
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