#551
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Revised Top 30 Quote:
There is one new entry, and it's into the top ten. I feel The Witch will only scale the heights in years to come. |
#552
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Quote:
I don't think there's anything from the past few years that would make my top 100, The Witch aside. Perhaps A Field in England, Berberian Sound Studio. Are they horror though? Bone Tomahawk if that stands up on a second viewing will place quite high i think seeing as it encompasses a western as well. The War Game will also feature top 50. |
#553
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Quote:
Of the ones you have mentioned, they are horror enough in my book, either psychological horrors or due to strong physical horror and cannibalism. I haven't seen The War Game, but it is on my watchlist.
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#554
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Quote:
__________________ [SIGPIC][/SIGPIC] [B] "... the days ahead will be filled with struggle ... and coated in marzipan ... "[/B] |
#555
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I second that.
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#556
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Neither would make my Top 100!
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#557
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Quote:
I could easily make (and have made) cases for Berberian Sound Studio and A Field in England being horror films. I haven't seen Bone Tomahawk yet but am highly anticipating my first viewing of it. Also, a great excuse to plug this list! |
#558
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.................................................. ................ Is Hidden really horror? Really? Great film but horror no way. I'm pretty doubtful about Mulholland Drive too. Only God Forgives? Were you drunk when you compiled the list? |
#559
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It worries me that both The Box and Zombieland make your top 100 of this century.
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#560
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Quote:
Mulholland Drive is is always going to cause debate in this respect as Lynch himself has alluded that he has never intended to make a horror film. Much of his work contains many elements of psychological horror though I find, and Mulholland Drive is no exception. Only God Forgives deals with a man who has tried to flee his dirty past and that past is now catching up with him. The film is heavily tilted towards the psychological, something I strongly identify with in terms of the horror genre. The story is basically a loose, modern re-telling of Oedipus - something that people seem to gloss over and instead either brand it is pretentious wank (like that's a bad thing?! ) or a plotless mess which focuses on the visual aspects... somewhat true, as Refn is a highly visual director, but it's far from plotless. Horror is so subjective though, I could almost make a case for any film being horror if I really had the inclination. However the list I posted above details films that deal with horror themes (whether psychological, physical or implied), and of course by very definition is subjective. Black Swan is another title that comes under fire when it is painted with the 'horror brush' like having been is some kind of insult or takes away from the film, which is utter nonsense. People get a little precious about genre at times, whilst I prefer to employ a much broader and multi-faceted outlook. Also check my description: I did say horror(ish). |
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