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#1
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AFZ nice! Think i’ll hold on to my 88 releases on those others though.
__________________ ![]() Teddy, I'm a Scotch drinker - you know that. I just have the occasional brandy when I'm not drinking. |
#2
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#3
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That looks very nice. Pity i've already got Lady Frankenstein on a very nice set from Nucleus Films. Makes the £100 price tag they'll be asking a total no-go. |
#4
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#5
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#6
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![]() "***NEW TITLE ANNOUNCEMENT*** Coming to 4K UHD in 2023 from Severin Films
"To avoid marketplace confusion we wanted to let our North American customers know that in addition to all the new titles we're dropping in 2023, we are working on UHD upgrades of many of our more popular catalogue titles like HOUSE ON THE EDGE OF THE PARK, BURIAL GROUND, DR. BUTCHER M.D. and more. New 4k scans from negatives, HDR Dolby Vision color correction and additional special features. Announcements will hit when the extensive work is done on the new masters."
__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#7
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![]() Screenshot_20230403-180438.jpg Screenshot_20230403-181554.jpg Screenshot_20230403-181608.jpg Just announced I'm in heaven right now ![]() ![]()
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#8
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'Alien From The Abyss' (1989) - Blu-ray Pre-order available from Severin Films direct - $24:00 Release date: June 27 "For one of the final films of his legendary career, director Antonio Margheriti (CASTLE OF BLOOD, WAR OF THE PLANETS, CANNIBAL APOCALYPSE) headed to the Philippines to deliver “the perfect ‘80s Italian popcorn flick” (Mondo Digital): When environmental activists attempt to expose an evil corporation (led by Charles Napier of SUPERVIXENS and RAMBO: FIRST BLOOD PART II fame) dumping nuclear waste into the local volcano, they’ll instead discover graphic gore, exploding miniatures and a rampaging full-scale kaiju-style creature that remains “one of the most bizarre-looking monsters ever created” (The Bloody Pit of Horror). Luciano Pigozzi (STRIKE COMMANDO) co-stars in “a helluva entertaining monster movie” (Schmollywood Babylon) written by Tito Carpi (RAIDERS OF ATLANTIS), now scanned in 4K from the original negative with Special Features that include the North American premiere of the 2013 documentary on Margheriti directed by his son Edoardo." Special Features and specs:
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__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#9
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'Extra Terrestrial Visitors' (1983) - 2 disc Blu-ray Pre-order available from Severin Films direct - $28:00 Release date: June 27 "From Juan Piquer Simón – the infamous writer/director of PIECES and SLUGS – comes The Restored Director’s Cut of the French/Spanish co-production that remains the most singularly screwy E.T.-influenced film in EuroCult history: When snorkel-nosed furry aliens arrive on Earth, they’ll encounter a foggy wilderness filled with sociopathic poachers, Simón’s twisted vision of what an ‘80s American rock band looks/sounds like, bizarre bursts of violence and pathos, and the boy who befriends a blue-eyed extraterrestrial he names ‘Trumpy’. Discover the movie beyond MST3K, “a very, very weird film†(Through The Shattered Lens) – also known in various versions as RETURN OF E.T., THE UNEARTHLING and POD PEOPLE – now featuring a 4K scan from the 35mm negative with Special Features that include a feature-length documentary on the director." Special Features and specs:
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__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
#10
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![]() Quote: 'Danza Macabra Vol. One: The Italian Gothic Collection' - 4-Disc Blu-ray Box Set Pre-order available from Severin Films direct - $75:00 Release date: May 30 "In a genre known for its castles, crypts and candelabras, Italian Gothic also embraced themes of violence, madness, and sexual deviance. With these 4 films, those impulses dare to go even deeper: In 1964’s THE MONSTER OF THE OPERA, director Renato Polselli and screenwriter Ernesto Gastaldi craft a surreal erotic shocker set within a contemporary dance troupe. Perhaps the genre’s rarest film, the berserk supernatural narrative of 1965’s THE SEVENTH GRAVE also makes it among the strangest. For 1970’s SCREAM OF THE DEMON LOVER, director José Luis Merino gathers classic traditions, then strips them naked and ties them to a torture rack. And 1971’s LADY FRANKENSTEIN delivers iconic EuroCult talent on both sides of the camera for one of the most luridly entertaining shockers of the decade. The films in this collection are now fully restored from their original negatives, with 12+ collective hours of Special Features. Disc 1: THE MONSTER OF THE OPERA (1964) Conceived as a sequel to their landmark THE VAMPIRE AND THE BALLERINA, director Renato Polselli (THE REINCARNATION OF ISABEL, DELIRIUM) and screenwriter Ernesto Gastaldi (ALL THE COLORS OF THE DARK, LIBIDO) resurrected their gothic-fiend-stalks-a-theatrical-troupe framework for an over-the-top aria of reincarnated lovers, sheer nightgowns, sapphic hunger, interdimensional damnation and frenzied ‘opera’ that “looks like the fever dream of an oversexed choreographer†(Fantastic Movie Musings). Marco Mariani (TOMB OF TORTURE), Giuseppe Addobbati (NIGHTMARE CASTLE) and Milena Vukotic (BLOOD FOR DRACULA) star in this surreal and still potently erotic shocker now scanned in 2K from the original negative, featuring an all-new interview with Gastaldi and more Special Features and specs:
![]() Disc 2: THE SEVENTH GRAVE (1965) For more than 50 years, it has existed only via rumor, reputation and barely watchable bootlegs. It remains perhaps the strangest Italian Gothic ever made: The sole feature by enigmatic director Garibaldi Serra Caracciolo – here using the anglicized pseudonym ‘Finney Cliff’ – combines familiar murder mystery elements of THE CAT AND THE CANARY with odd dollops of mad doctors, escaped lepers, giallo-style killings and one of the most strikingly original séance sequences in the entire genre. Antonio Casale (‘Bill Carson’ in THE GOOD, THE BAD AND THE UGLY), Ferruccio Viotti (SEX OF THE WITCH) and Gianni Dei (PATRICK STILL LIVES) star in this fascinating rarity now scanned in 2K from the recently discovered negative, with all-new Special Features that explore the bizarre circumstances behind the film’s production, release and half-century disappearance Special Features and specs:
![]() Disc 3: SCREAM OF THE DEMON LOVER (1970) Though he made only two horror films, veteran writer/director José Luis Merino (THE HANGING WOMAN) here embraces the genre’s classic elements and ravishes them to vivid extremes: When a beautiful biochemist (Erna Schurer of STRIP NUDE FOR YOUR KILLER) arrives at a foreboding castle to work for a sinister baron, she’ll unlock a nightmare of dark romance, sexual violence, grisly family secrets and some of the most perverse moments in ‘70s Gothic. Carlos Quiney (ZORRO THE INVINCIBLE), Agostina Belli (BLUEBEARD) and Enzo Fisichella (MALABIMBA) co-star in this Italian/Spanish co-production – also known as KILLERS OF THE CASTLE OF BLOOD and released in the U.S. by New World Pictures cut by nearly 20 minutes – now scanned in 4K from the negative for the first time ever Special Features and specs:
![]() Disc 4: LADY FRANKENSTEIN (1971) Co-produced by Roger Corman, “one of the most underrated horror movies of all time†(Classic Horror) features ultra-lurid direction by American-International star Mel Welles (LITTLE SHOP OF HORRORS) from a story by by Dick Randall (PIECES), distinctive cinematography by Riccardo Pallottini (CASTLE OF BLOOD) and score by Alessando Alessandroni (THE DEVIL’S NIGHTMARE), a cast that includes Hollywood legend Joseph Cotten (CITIZEN KANE) alongside EuroCult icons Paul Müller (NIGHTMARE CASTLE), Herbert Fux (MARK OF THE DEVIL), Marino Masé (TENEBRAE) and Mickey Hargitay (BLOODY PIT OF HORROR), and a titular performance by the remarkable Rosalba Neri (THE DEVIL’S LOVER) for whom “only the monster she made could satisfy her strange desires!†LADY FRANKENSTEIN is now scanned in 2K from the original negative, with alternate scenes, all-new Special Features and much more Special Features and specs:
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__________________ People try to put us down Just because we get around Golly, Gee! it's wrong to be so guilty |
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