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Originally Posted by J Harker But then if they could get hold of the original negatives Arrow could do wonders with some of these Italian titles themselves . Look at what they were able to achieve with Zombie Flesh Eaters. |
Exactly. And as Arrow has repeatedly been saying, the whole point of the North American venture is to justify spending money on original restorations (which invariably adds a five-figure sum to the production budget, which is why most indie labels either don't do it at all or only very very sparingly).
Back in 2010-12, Arrow got a lot of abuse (some of it continuing to this day) for releasing discs sourced from substandard masters - but the problem was that in virtually all cases the choice was between releasing those masters or not releasing the films at all. Now, their technical standards have unrecognisably improved to the extent that most of those older masters would be rejected outright, but that means that if Arrow wants to release the films, they have to find alternative sources - which often means creating them themselves. And that not only costs money, it takes time.
There will certainly be more Bava - but not every month, because it's obviously impossible to put them out at that rate (or indeed every three or four months) without cutting corners. And as the unreleased Bava titles become increasingly obscure, it's likely that gaps between releases will grow, if only because the challenge of tracking down decent 35mm source materials becomes that much greater.
And on a more practical level, following the very public
Rabid Dogs delay, Arrow are understandably being very wary of announcing new Bava titles until they actually get their hands on the relevant masters!