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  #91  
Old 26th November 2012, 03:17 PM
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You must have a lot of stuff!

You can PM me if you're interested in participating in one of the articles, mate.
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  #92  
Old 26th November 2012, 03:32 PM
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Quote:
Originally Posted by Paul@Lovelockandload View Post
You must have a lot of stuff!

You can PM me if you're interested in participating in one of the articles, mate.
Thanks Paul.

Unlike the people you have interviewed i don't really have a story to tell.

If this makes any sense, the bulk of my near 3000 collection is films, rather than collectables. Nor do i have twenty copies of the same film because the cover art is slightly different.

Perhaps when you run out of interesting people...

Last edited by Demdike@Cult Labs; 26th November 2012 at 03:57 PM.
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  #93  
Old 26th November 2012, 04:56 PM
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Originally Posted by Demdike View Post
Thanks Paul.

Unlike the people you have interviewed i don't really have a story to tell.

If this makes any sense, the bulk of my near 3000 collection is films, rather than collectables. Nor do i have twenty copies of the same film because the cover art is slightly different.

Perhaps when you run out of interesting people...
It's not what people have but how they got into collecting and the reasons that they continue that's interesting, mate. 3000 is a very big number and I'd bet it an eclectic mix of many different genres
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  #94  
Old 26th November 2012, 06:27 PM
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Originally Posted by Demdike View Post
Thanks Paul.

Unlike the people you have interviewed i don't really have a story to tell.

If this makes any sense, the bulk of my near 3000 collection is films, rather than collectables. Nor do i have twenty copies of the same film because the cover art is slightly different.

Perhaps when you run out of interesting people...
Bugger all wrong with appreciation of good artwork.
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  #95  
Old 26th November 2012, 06:33 PM
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Bugger all wrong with appreciation of good artwork.
Or even bad artwork. As I've been told I have!
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  #96  
Old 26th November 2012, 06:51 PM
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I love decent artwork too! My point is its one of the key things which make Pre-Certs so alluring to collectors.
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  #97  
Old 26th November 2012, 06:57 PM
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Originally Posted by The Reaper Man@Cult Labs View Post
Bugger all wrong with appreciation of good artwork.
Quote:
Originally Posted by Stephen@Cult Labs View Post
Or even bad artwork. As I've been told I have!
The scary artwork people are here.
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  #98  
Old 27th November 2012, 06:31 AM
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Quote:
Originally Posted by Paul@Lovelockandload View Post
I love decent artwork too! My point is its one of the key things which make Pre-Certs so alluring to collectors.
Absolutely, I'm thinking of the great outlaw sleeves of the pre-cert era before the industry was hit with regulation - I mean a sleeve like Last Horror Film - with Caroline Munroe menaced by a broken bottle - would be a definite no-no these days !

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  #99  
Old 27th November 2012, 07:10 AM
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Originally Posted by Wes View Post
Absolutely, I'm thinking of the great outlaw sleeves of the pre-cert era before the industry was hit with regulation - I mean a sleeve like Last Horror Film - with Caroline Munroe menaced by a broken bottle - would be a definite no-no these days !

It would have been more shocking if they had used images of Joe doing his stripper routine.
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  #100  
Old 27th November 2012, 07:12 AM
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Originally Posted by Make Them Die Slowly View Post
It would have been more shocking if they had used images of Joe doing his stripper routine.
Sadly, it's a film I've never seen and I wanted to pick up the Troma DVD so many times but reports of a lo-fi transfer kept putting it off...
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